http://hdl.handle.net/10468/62 2013-05-18T20:38:23Z 2013-05-18T20:38:23Z Murphy, Ian http://hdl.handle.net/10468/923 2013-03-08T03:02:27Z 2012-01-01T00:00:00Z

Feeling and form in the films of Claire Denis Murphy, Ian

2012-01-01T00:00:00Z Connolly, Claire http://hdl.handle.net/10468/797 2012-11-23T03:00:09Z 2008-01-01T00:00:00Z

Ugly criticism: union and division in Irish literature Connolly, Claire

2008-01-01T00:00:00Z Allen, Graham http://hdl.handle.net/10468/64 2013-03-08T03:00:25Z 2008-01-01T00:00:00Z

Transparency, incalculability, Mythologies today Allen, Graham What would it mean to speak of the ‘migration into the Anglophone world’ of Barthes’s Mythologies? There are many ways in which one could answer such a question. Does ‘theory’ still exist, is it now dead? To employ Michael Payne’s and John Schad’s title, what does it currently mean to live ‘after theory’ and what is the current status of the translation (from a series of European words) that gave us the word ‘theory’? Is Barthes now immured within that archive once known as belles lettres? or is there a need to return to what must be Barthes’s most widely consumed text (Mythologies) within the Anglophone world? What has been and will be the fate of semiology? Mythologies is indisputably a core influence on the rise of Cultural Studies in the ‘worlds’ to which we are referring. Thinking about Mythologies today inevitably leads us to consider the status and function of Cultural Studies

2008-01-01T00:00:00Z Allen, Graham http://hdl.handle.net/10468/66 2013-03-08T03:00:07Z 2007-10-01T00:00:00Z

Mary Shelley as elegiac poet: the return and 'The Choice' Allen, Graham The article analyses the poem 'The Choice', by Mary Shelley, analysing the elegiac nature of the work and her use of the word 'return'.

2007-10-01T00:00:00Z