http://hdl.handle.net/10468/62 Sun, 26 May 2013 02:27:12 GMT 2013-05-26T02:27:12Z http://hdl.handle.net/10468/923 Feeling and form in the films of Claire Denis Murphy, Ian Sun, 01 Jan 2012 00:00:00 GMT http://hdl.handle.net/10468/923 2012-01-01T00:00:00Z http://hdl.handle.net/10468/797 Ugly criticism: union and division in Irish literature Connolly, Claire Tue, 01 Jan 2008 00:00:00 GMT http://hdl.handle.net/10468/797 2008-01-01T00:00:00Z http://hdl.handle.net/10468/64 Transparency, incalculability, Mythologies today Allen, Graham What would it mean to speak of the ‘migration into the Anglophone world’ of Barthes’s Mythologies? There are many ways in which one could answer such a question. Does ‘theory’ still exist, is it now dead? To employ Michael Payne’s and John Schad’s title, what does it currently mean to live ‘after theory’ and what is the current status of the translation (from a series of European words) that gave us the word ‘theory’? Is Barthes now immured within that archive once known as belles lettres? or is there a need to return to what must be Barthes’s most widely consumed text (Mythologies) within the Anglophone world? What has been and will be the fate of semiology? Mythologies is indisputably a core influence on the rise of Cultural Studies in the ‘worlds’ to which we are referring. Thinking about Mythologies today inevitably leads us to consider the status and function of Cultural Studies Tue, 01 Jan 2008 00:00:00 GMT http://hdl.handle.net/10468/64 2008-01-01T00:00:00Z http://hdl.handle.net/10468/66 Mary Shelley as elegiac poet: the return and 'The Choice' Allen, Graham The article analyses the poem 'The Choice', by Mary Shelley, analysing the elegiac nature of the work and her use of the word 'return'. Mon, 01 Oct 2007 00:00:00 GMT http://hdl.handle.net/10468/66 2007-10-01T00:00:00Z