http://hdl.handle.net/10468/648 Tue, 21 May 2013 08:29:19 GMT 2013-05-21T08:29:19Z http://hdl.handle.net/10468/685 Funny frames: the filmic soncepts of Michael Haneke, Oliver C. Speck. New York: The Continuum International Publishing Group Inc, 2010 (260 pages). ISBN: 9781441192851. Ambrose, Jeremiah Sat, 01 Jan 2011 00:00:00 GMT http://hdl.handle.net/10468/685 2011-01-01T00:00:00Z http://hdl.handle.net/10468/686 Tim Burton: the monster and the crowd: a post-Jungian perspective, Helena Bassil-Morozow. London and New York: Routledge, 2010 (200 pages). ISBN: 9780415489713. Mellamphy, Deborah Sat, 01 Jan 2011 00:00:00 GMT http://hdl.handle.net/10468/686 2011-01-01T00:00:00Z http://hdl.handle.net/10468/687 The ISEA 2011 Istanbul international symposium on electronic art. Sabaci Center, Istanbul, 14-21 September 2011 Nelson, Jodi Sat, 01 Jan 2011 00:00:00 GMT http://hdl.handle.net/10468/687 2011-01-01T00:00:00Z http://hdl.handle.net/10468/684 Hollywood catwalk: exploring costume and transformation in American film, Tamar Jeffers McDonald. London: I.B. Tauris, 2010. (240 pages). ISBN:9781848850392. Kambuta, Rebecca Sat, 01 Jan 2011 00:00:00 GMT http://hdl.handle.net/10468/684 2011-01-01T00:00:00Z