Revisiting Irish poetic modernisms
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Date
2011-03
Authors
Whittredge, Julia Katherine
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Publisher
University College Cork
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Abstract
This thesis discusses Irish Modernist poetry written between 1905 and 1970,
specifically the poetry of Joseph Campbell (1879-1944), Thomas MacGreevy (1893-1967),
Denis Devlin (1908-1959) and Brian Coffey (1905-1995). All four poets have been largely
neglected in criticism until a growth of interest encouraged by Michael Smith and Trevor
Joyce’s New Writers’ Press during the 1970s. J.C.C. Mays, Stan Smith, Susan Schreibman,
Terence Brown, Patricia Coughlan and Alex Davis published subsequent critical support
during the ‘80s and ‘90s. My research aims to highlight poetry previously omitted from the
canon of Irish literature, those with connections to British or continental European literary
movements as well as poetry by women writers and writers from the North. Part of this
exploration of Irish Poetic Modernisms involves an investigation of intersections between
poetic modernisms and Irish war poetry and of depictions of Irish masculinity in the poetry
of Devlin and Coffey.
My discussion of Campbell’s poetry focuses on links between the early regional
modernism of his poetry and later Irish modernist poetry, including his participation in the
Ulster Literary Theatre, with the Literary Revival community in Dublin and his association
with the proto-Imagist movement in London. My examination of connections between Irish
war poetry and Irish modernism allows me to discuss the writing of several underrecognized
Irish poets who are contemporaries and near contemporaries of the main
subjects of my thesis. Thomas MacGreevy’s poetry is the most clear case study of the links
between Irish modernist poetry and poetry about Ireland’s participation in the Great War.
MacGreevy’s writing reveals his multiple allegiances: he both elegizes and challenges the
increasing cultural inhibitions of Free State Ireland. Denis Devlin’s poetic portrayals of
Ireland reveal his rejection both of the Literary Revival’s fascination with Celticism and of
Dublin’s literary community while upholding tradition poetic gender roles. My research
explores representations of masculinity and Irish politics, including heroic masculine
imagery, in the long poems of Devlin and Coffey. My discussion of Brian Coffey considers
the importance of the figure of the “poet as maker” to his writing and his relationship with
Ireland during his long writing career. I also consider his role as the editor and executor of
Devlin’s literary estate and the impact that had on both the latter’s posthumous reputation
and Coffey’s later writing.
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Keywords
Modernism , Gender
Citation
Whittredge, Julia Katherine, 2011. Revisting Irish Poetic Modernisms. PhD Thesis, University College Cork.