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<title>CACSSS Publication Exchange Project</title>
<link>http://hdl.handle.net/10468/3468</link>
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<pubDate>Sun, 05 Nov 2017 00:05:29 GMT</pubDate>
<dc:date>2017-11-05T00:05:29Z</dc:date>
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<title>College of Arts, Celtic Studies and Social Sciences, University College Cork, Publication Exchange Project [Video]</title>
<link>http://hdl.handle.net/10468/4041</link>
<description>College of Arts, Celtic Studies and Social Sciences, University College Cork, Publication Exchange Project [Video]
Foott, Derek C.
This video is a representation in sound and vision of a project funded by the Irish Research Council entitled ‘College of Arts, Celtic Studies and Social Sciences, University College Cork, Publication Exchange Project’. In the course of this project, publications were gathered from the College of Arts, Celtic Studies and Social Sciences, University College Cork, and archived in UCC’s open access repository CORA. Publications gathered in the course of the project were then disseminated and promoted amongst UCC’s partner institutions worldwide.
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<pubDate>Mon, 01 May 2017 00:00:00 GMT</pubDate>
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<dc:date>2017-05-01T00:00:00Z</dc:date>
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<title>Transformative spaces in the social reintegration of former child soldier young mothers in Sierra Leone, Liberia, and Northern Uganda</title>
<link>http://hdl.handle.net/10468/3658</link>
<description>Transformative spaces in the social reintegration of former child soldier young mothers in Sierra Leone, Liberia, and Northern Uganda
Veale, Angela; Worthen, Miranda; McKay, Susan
A significant but insufficiently considered category of female former child soldiers is those that become mothers as a result of rape or through relationships with “bush husbands”. This article reflects on learning from a participatory action research (PAR) study which aimed to facilitate the social reintegration of formerly associated young mothers and other war-affected vulnerable young mothers in Sierra Leone, Liberia, and northern Uganda. We argue that it is useful to delineate 3 nodes of individual-community relations which we identify as possible transformative spaces in psychosocial programming for social reintegration: the intersection between individual emotional experience and the emotional climate, between individual agency and public engagement, and between individual and community resilience. The PAR study involved 658 young war-affected mothers across 20 communities in the 3 countries. The results demonstrate how the PAR mobilized positive emotions and aligned the activities of the young mothers’ groups with individuals with power to facilitate change (community leaders) and contributed to limited transformative change. Further research is needed on engaging men and on tackling structural factors in interventions with war-affected young mothers.
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<pubDate>Wed, 01 Feb 2017 00:00:00 GMT</pubDate>
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<dc:date>2017-02-01T00:00:00Z</dc:date>
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<title>Film policy under globalization: the case of Mexico</title>
<link>http://hdl.handle.net/10468/3249</link>
<description>Film policy under globalization: the case of Mexico
de la Garza, Armida
The changing economic and technological conditions often referred to as ‘globalization’ have had a deep impact on the very nature of the state, and thus on the aims, objectives and implementation of cultural policy, including film policy. In this paper, I discuss the main changes in film policy there have been in Mexico, comparing the time when the welfare state regarded cinema as crucial to the national identity, and actively supported the national cinema at the production, distribution and exhibition levels (about 1920-1980), and the recent onset of neoliberal policies, during which the industry was privatized and globalized. I argue the result has been a transformation of the film production, from the properly ‘national’ cinema it was during the welfare state—that is, having a role in nation building, democratization processes and being an important part of the public sphere—into a kind of genre, catering for a very small niche audience both domestically and internationally. However, exhibition and digital distribution have been strengthened, perhaps pointing towards a more meaningful post-national cinema.
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<pubDate>Mon, 17 Oct 2016 00:00:00 GMT</pubDate>
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<dc:date>2016-10-17T00:00:00Z</dc:date>
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<title>Moving histories: performing Bolívar in Jorge Ali Triana’s film 'Bolívar Soy Yo' (2002)</title>
<link>http://hdl.handle.net/10468/3003</link>
<description>Moving histories: performing Bolívar in Jorge Ali Triana’s film 'Bolívar Soy Yo' (2002)
de la Garza, Armida
Shanahan, Maureen G.; Reyes, Ana María
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<pubDate>Tue, 26 Jul 2016 00:00:00 GMT</pubDate>
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<dc:date>2016-07-26T00:00:00Z</dc:date>
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