Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklin

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dc.contributor.author Wisniewski, Kevin A. en
dc.contributor.editor Murphy, Jill en
dc.date.accessioned 2014-03-10T15:21:23Z
dc.date.available 2014-03-10T15:21:23Z
dc.date.issued 2012 en
dc.identifier.citation Wisniewski, K. A. (2012) Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklin. Alphaville: Journal of Film and Screen Media, 3 (Summer 2012). en
dc.identifier.issued 3 en
dc.identifier.startpage 1 en
dc.identifier.endpage 6 en
dc.identifier.issn 2009-4078 en
dc.identifier.uri http://hdl.handle.net/10468/1442
dc.format.mimetype application/pdf en
dc.publisher Film Studies, University College Cork en
dc.relation.uri http://www.alphavillejournal.com/Issue%203/HTML/ReviewWisniewski.html en
dc.rights © 2012, the Author(s) en
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/ie/ en
dc.subject Film scores en
dc.subject Film music as artistic forms en
dc.subject Classic hollywood films en
dc.title Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklin en
dc.type Review en
dc.internal.authorcontactother Kevin A. Wisniewski, University of Maryland, Baltimore County (USA) en
dc.internal.availability Full text available en
dc.description.version Published Version en
dc.description.status Not peer reviewed en
dc.identifier.journaltitle Alphaville: Journal of Film and Screen Media en
dc.identifier.journalabbrev Alphaville


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