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Composition portfolio and commentaries
Buckley, Irene
(
University College Cork
,
2013
)
Legends as music: new composition in the traditional Irish idiom
Ó Corragáin, Fiachra
(
University College Cork
,
2016
)
Totality of experience: sound, music and mythology in Gus Van Sant’s “Death Quartet”
Shine, Jessica
(
University College Cork
,
2015
)
From ‘Nothing’ to ‘Something’: a compositional evolution through time, media and space
O'Brien, Mary Geraldine
(
University College Cork
,
2017
)
(In)Determinacy: incorporating openness in programmed music and performance
Wentworth, Sara
(
University College Cork
,
2015
)
Haptics in music: the effects of vibrotactile stimulus in low frequency auditory difference detection tasks
Young, Gareth W.
;
Murphy, David
;
Weeter, Jeffrey
(
Institute of Electrical and Electronics Engineers (IEEE)
,
2016-12-29
)
Book review: Siobhan Dowling Long and John F. A. Sawyer , The bible in music: a dictionary of songs, works, and more
Anderson, Bradford. A.
(
ISASR in association with the Study of Religions, University College Cork
,
2017
)
Extending our senses: music, nostalgia, space, artefact and the Mediterranean imaginary among the Greek- and Turkish-speaking Cypriot diaspora in Birmingham (UK)
Poupazis, Michalis
(
University College Cork
,
2017
)
'Enigmatic territories': geographies of popular music
Hogan, Eileen
(
Department of Geography, UCC
,
2007
)
The sound of whiteness: early music vocal performance practice in Britain
Marshall, Melanie L.
(
2011-11-10
)
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