Nancy Spero: pain and politics, 1966-1976

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dc.contributor.advisor Krcma, Edward John en Warriner, Rachel 2016-05-23T11:56:18Z 2016-05-23T11:56:18Z 2016 2016
dc.identifier.citation Warriner, R. 2016. Nancy Spero: pain and politics, 1966-1976. PhD Thesis, University College Cork. en
dc.description.abstract The ten-year period that started with Nancy Spero’s War Series (1966-70) and ended with the completion of Torture of Women (1974-6) were of vital importance to the development of this key figure of feminist art. This was the moment when Spero turned her focus to politics, departing from a practice that was concerned with personal disaffection, instead focusing on profoundly social concerns. Essential to this evolution is a focus on pain. From the War Series through the Artaud Paintings (1970-71), Codex Artaud (1971-2), and Torture of Women, pain, both internal and external, was imagined in multiple forms. In Spero’s explorations of the theme, pain becomes metaphoric of the experience of women living under patriarchy, an amorphous but still profoundly disabling sensation that attacks both body and mind. This thesis explores Spero’s use of physical pain during moment of feminist art’s emergence, seeing it as a political metaphor for the way in which patriarchy invisibly controls and undermines women. Framed broadly by the question of art's relationship with politics during this turbulent period of anti-war and feminist activism, this thesis closely examines the way in which an analogy to pain figures the body in the work in complex terms, pursuing an ideological ambition through recourse to feeling. en
dc.description.sponsorship Irish Research Council (Government of Ireland Postgraduate Scholarship Scheme) en
dc.format.mimetype application/pdf en
dc.language.iso en en
dc.publisher University College Cork en
dc.rights © 2016, Rachel Warriner. en
dc.rights.uri en
dc.subject Nancy Spero en
dc.subject Pain en
dc.subject Feminist art en
dc.subject Cultural politics of emotion en
dc.title Nancy Spero: pain and politics, 1966-1976 en
dc.type Doctoral thesis en
dc.type.qualificationlevel Doctoral en
dc.type.qualificationname PhD (Arts) en
dc.internal.availability Full text not available en No embargo required en
dc.description.version Accepted Version
dc.contributor.funder Irish Research Council en
dc.description.status Not peer reviewed en Art History en
dc.check.type No Embargo Required
dc.check.reason No embargo required en
dc.check.opt-out Yes en
dc.thesis.opt-out true
dc.check.embargoformat Not applicable en
dc.internal.conferring Summer 2016 en

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