• Com Defeito de Fabricação e a "Estética do Plágio" de Tom Zé: um "Manifesto Antropófago" pós-moderno/pós-colonialista 

  Rollefson, J. Griffith (Taylor & Francis Group, 2007-06-26)

  Em seu CD lançado em 1998, Com Defeito de Fabricação, o cantor e compositor Tom Zé articula os discursos da pós-modernidade e do pós-colonialismo. Mais do que simplesmente tocar em vários aspectos “pós”’, Zé elabora a ...
• Le cauchemar de la France: Blackara's postcolonial hip hop critique in the City of Light 

  Rollefson, J. Griffith (Africa World Press, 2011-08)
• From ‘Myth-Science’ to ‘Robot Voodoo Power’: Sun Ra’s afrofuturist and anti-anti-essentialist legacy, with French translation by Erwan Jégouzo: Du concept de «Myth-Science» au «Robot Voodoo Power»: L’héritage afro-futuriste et anti-anti-essentialiste de Sun Ra 

  Rollefson, J. Griffith (Paraguay Press / Kunsthalle Basel, 2013)
• College of Arts, Celtic Studies and Social Sciences, University College Cork, Publication Exchange Project [Video] 

  Foott, Derek C. (University College Cork, 2017-05)

  This video is a representation in sound and vision of a project funded by the Irish Research Council entitled ‘College of Arts, Celtic Studies and Social Sciences, University College Cork, Publication Exchange Project’. ...
• The "Robot Voodoo Power" thesis: Afrofuturism and anti-anti-essentialism from Sun Ra to Kool Keith 

  Rollefson, J. Griffith (Center for Black Music Research - Columbia College Chicago and University of Illinois Press, 2008-03)

  In the 1990s the term Afrofuturism emerged to describe a vein of science fiction inspired artistic production that repositions black subjects in a purportedly race free future that is nonetheless coded as white. While ...

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