A qualitative analysis of haptic feedback in music focused exercises new interfaces for musical expression

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dc.contributor.author Young, Gareth W.
dc.contributor.author Murphy, David
dc.contributor.author Weeter, Jeffrey
dc.date.accessioned 2017-06-20T10:53:45Z
dc.date.available 2017-06-20T10:53:45Z
dc.date.issued 2017-05-19
dc.identifier.citation Young G. W., Murphy, D. and Weeter, J. (2017) 'A qualitative analysis of haptic feedback in music focused exercises new interfaces for musical expression', Proceedings of the international conference on new interfaces for musical expression, NIME '17, Aalborg University Copenhagen, Denmark, 15-19 MAY, pp.204-209 en
dc.identifier.startpage 204 en
dc.identifier.endpage 209 en
dc.identifier.issn 2220-4806
dc.identifier.uri http://hdl.handle.net/10468/4094
dc.description.abstract We present the findings of a pilot-study that analysed the role of haptic feedback in a musical context. To closely examine the role of haptics in Digital Musical Instrument (DMI) design an experiment was formulated to measure the users’ perception of device usability across four separate feedback stages: fully haptic (force and tactile combined), constant force only, vibrotactile only, and no feedback. The study was piloted over extended periods with the intention of exploring the application and integration of DMIs in real-world musical contexts. Applying a music orientated analysis of this type enabled the investigative process to not only take place over a comprehensive period, but allowed for the exploration of DMI integration in everyday compositional and explorative practices. As with any investigation that involves creativity, it was important that the participants did not feel rushed or restricted. That is, they were given sufficient time to explore and assess the different feedback types without constraint. This provided an accurate and representational set of qualitative data for validating the participants’ experience with the different feedback types they were presented with. en
dc.format.mimetype application/pdf en
dc.language.iso en en
dc.publisher NIME en
dc.relation.uri http://www.nime.org/archives/
dc.rights © 2017, The Authors. Licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). en
dc.rights.uri https://creativecommons.org/licenses/by/4.0/ en
dc.subject Haptics en
dc.subject Music en
dc.subject Usability en
dc.subject User Experience en
dc.subject DMI Analysis en
dc.title A qualitative analysis of haptic feedback in music focused exercises new interfaces for musical expression en
dc.type Conference item en
dc.internal.authorcontactother Gareth W. Young, Computer Science, University College Cork, T: +353 21 490 3000 E: g.young@cs.ucc.ie en
dc.internal.availability Full text available en
dc.description.version Published Version en
dc.description.status Peer reviewed en
dc.identifier.journaltitle Proceedings of the international conference on new interfaces for musical expression en
dc.internal.copyrightchecked !!CORA!! en
dc.internal.IRISemailaddress g.young@cs.ucc.ie en


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© 2017, The Authors. Licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). Except where otherwise noted, this item's license is described as © 2017, The Authors. Licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).
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