• On the importance of impostors. Orson Welles' F for Fake as Nietzschean film? 

  MagShamhráin, Rachel (German Studies Association of Ireland, 2021)

  The Impostor is the blender par excellence. She is both herself and someone else, and therefore properly neither. As a rejection of the limits between I and Other, her actions might be embraced as an ultimate form of ...
• Introduction: Discursive frameworks within academic research 

  Devlin, Anne Marie; Siller, Barbara; Ventura, Sara Lis (Irish Association for Applied Linguistics, 2021-06-11)

  The idea for this Special Issue arose from a transdisciplinary conference entitled ‘(dis)Covering Discourses’ which was held at University College Cork in 2018. The aim was to bring together scholars spanning a multiplicity ...
• Introduction: No Future 

  Renfrew, Alastair; Ní Dhúill, Caitríona (Duke University Press, 2016-06-01)
• The moving author. Kleist's journeys in time 

  MagShamhráin, Rachel (Hartung-Gorre; German Studies Association of Ireland, 2020)
• Viewing as if in a female network: towards a reparative reading of post-crash female-centred US TV series 

  Laugalyte, Marija (University College Cork, 2020-11-25)

  This thesis explores and advocates for an imaginative and creative way of viewing screen texts where the purpose is to come up with alternatives for the images and narratives onscreen. This approach involves a deliberate ...

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