Corporeality and embodiment in the female boxing film

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dc.contributor.author Lindner, Katharina
dc.date.accessioned 2018-04-24T09:20:13Z
dc.date.available 2018-04-24T09:20:13Z
dc.date.issued 2014
dc.identifier.citation Lindner, K. (2014) 'Corporeality and embodiment in the female boxing film', Alphaville: Journal of Film and Screen Media, 7. en
dc.identifier.issued 7
dc.identifier.startpage 1
dc.identifier.endpage 18
dc.identifier.issn 2009-4078
dc.identifier.uri http://hdl.handle.net/10468/5842
dc.description.abstract This article engages with questions of corporeality in the boxing film. Within the context of debates that understand the genre as a space in which the tensions and contradictions around masculinity can be worked out (Baker; Woodward; Grindon), it explores the troubling, and potentially queer, implications of the female boxer in two contemporary boxing films: Million Dollar Baby (Clint Eastwood, 2004) and Die Boxerin (About a Girl, Catharina Deus, 2004). It does so with a particular emphasis on the significance of the corporeality of the boxing body and boxing performance, as well as the embodied spectatorial engagements made possible by the films’ incorporation of the female boxer’s queer orientations. en
dc.format.mimetype application/pdf en
dc.language.iso en en
dc.publisher Film and Screen Media, University College Cork en
dc.relation.uri http://www.alphavillejournal.com/Issue7/HTML/ArticleLindner.html
dc.rights © 2014, The Author(s) en
dc.rights.uri https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject Boxing films en
dc.subject Female boxing en
dc.subject Masculinity en
dc.subject Queer en
dc.title Corporeality and embodiment in the female boxing film en
dc.type Article (peer-reviewed) en
dc.internal.authorcontactother Katharina Lindner, University of Stirling en
dc.internal.availability Full text available en
dc.description.version Published Version en
dc.description.status Peer reviewed en
dc.identifier.journaltitle Alphaville: Journal of Film and Screen Media en


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