• Between Pantheons: Roman landscape and topography in Butor’s La Modification 

  Cox, Fiona; Ó Carragáin, Éamonn (The Virgil Society, 2004)
• 'Kaleidoscopes of Changing Pictures': Representing nations in toy theatres 

  Robinson, Joanna (Oxford University Press, 2018-01-25)

  Toy theatre was an adjunct trade to London theatreland in the nineteenth century. Publishers produced miniature versions of popular productions on stage in contemporary playhouses. Consequently, toy theatre has typically ...
• Natural history and the history of nature: Environmental narratives in Irish Romanticism 

  Connolly, Claire (WVT Wissenschaftlicher Verlag Trier, 2017-09)

  The two terms 'narrative' and 'Romanticism' have both undergone major re-definitions during the last few decades. It seems quite a long time since the lyric dominated the 'Period Formerly (and still) Known as Romanticism' ...
• The hyphenated persona: Aidan Quinn’s Irish-American performances 

  Goff, Loretta (Deakin University, 2017-06)

  This article examines the hyphenated Irish-American identity performed by actor Aidan Quinn across a number of his media appearances. Hyphenated identities are frequently used in our increasingly globalised, migratory world ...
• “Racism’s part of my culture”: Nation, race and humour in Irish Jam (2006) and The Guard (2011) 

  Goff, Loretta (Film and Screen Media, University College Cork, 2017)

  This article applies theories of humour (incongruity, superiority, relief) to a reading of the films Irish Jam (John Eyres, 2006) and The Guard (John Michael McDonagh, 2011) in order to interrogate their depiction of racial, ...

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