• The reader on red alert: Stanley Kubrick, Peter George, and the evolution of fear 

  Allen, Graham (Università di Bologna, 2017-12)

  One of the purposes of studying adaptation is to allow, periodically, for a reassessment of the dominant assumptions concerning the relation between films and their non-filmic, often literary intertexts. The relation between ...
• Travel, pilgrimage and the family: displacement, obligation and crises of kinship in Middle English narrative 

  Mulcahy, Edel (University College Cork, 2017)

  This thesis aims to provide unique perspectives on responses to medieval pilgrimage by examining the largely ignored interactions between pilgrimage and the family in Middle English narratives. Ranging from the period ...
• Greasers, gringos and wetbacks: ventriloquizing the U.S. - Mexico borderlands in Gloria Anzaldúa's dramatic monologues 

  Alexander, Donna Maria (Oxford University Press, 2018-10-04)

  This article focuses on two dramatic monologues by Chicana writer Gloria Anzaldúa. In ‘We Call Them Greasers’ and ‘sobre piedras con lagartijos’, Anzaldúa uses the voices of an Anglo male colonist and a male border-crosser ...
• Humour in vernacular hagiography from the tenth to the thirteenth century in England 

  Kehoe Rouchy, Niamh Bridget (University College Cork, 2018)

  This thesis is the first sustained study of the execution and purpose of literary humour in vernacular saints’ lives circulating from the late tenth to the late thirteenth century in England. Although humour has often been ...
• "Informed Love": human and non-human bodies in Tim Robinson's ethical aesthetic 

  O'Connor, Maureen (Asociación Española de Estudios Irlandeses (AEDEI), 2018-10-31)

  Tim Robinson’s rich and variegated cultural productions have generated serious critical consideration in the twenty-first century, mostly addressing his use of folkways and mythology, the cartographic and artistic elements ...

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