• Film Festivals: Culture, People, and Power on the Global Screen, Cindy Hing-Yuk Wong. New Brunswick, NJ and London: Rutgers University Press, 2011 (318 pages). ISBN: 978-0-8135-5065-7. 

  Lee, Fiona (Film Studies, University College Cork, 2012)
• Emotion capture: vocal performances by children in the computer-animated film 

  Holliday, Christopher (Film Studies, University College Cork, 2012)

  The customary practice across both feature-length cel-animated cartoons and television animation has been to cast adults in the vocal roles of children. While these concerns raise broader questions about the performance ...
• Beneath sci-fi sound: primer, science fiction sound design, and American independent cinema 

  Johnston, Nessa (Film Studies, University College Cork, 2012)

  Primer is a very low budget science-fiction film that deals with the subject of time travel; however, it looks and sounds quite distinctively different from other films associated with the genre. While Hollywood blockbuster ...
• When is the now in the here and there? Trans-diegetic music in Hal Ashby’s Coming Home 

  Hunter, Aaron (Film Studies, University College Cork, 2012)

  While it would be a stretch to classify Hal Ashby as a postmodernist filmmaker (with that term’s many attendant ambiguities), his films of the 1970s regularly evince post-Classical stylistic and narrative strategies, ...
• Media and Memory, Joanne Garde-Hansen. Edinburgh: Edinburgh University Press, 2011 (174 pages). ISBN: 978-0748640331. 

  Caoduro, Elena (Film Studies, University College Cork, 2012)

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