Indigeneity

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dc.contributor.author Stock, Jonathan P. J.
dc.date.accessioned 2019-01-04T12:25:02Z
dc.date.available 2019-01-04T12:25:02Z
dc.date.issued 2018-12-11
dc.identifier.citation Stock, J. P. J. (2018) 'Indigeneity', Music and Arts in Action, 6(2), pp. 59-72. Available online: http://www.musicandartsinaction.net/index.php/maia/article/view/186 en
dc.identifier.volume 6 en
dc.identifier.issued 2 en
dc.identifier.startpage 59 en
dc.identifier.endpage 72 en
dc.identifier.issn 1754-7105
dc.identifier.uri http://hdl.handle.net/10468/7254
dc.description.abstract The article begins by making explicit its disciplinary standpoint. Research on music in indigenous settings occurs in both ethnomusicology and indigenous studies, but each of these disciplines brings somewhat contrasting expectations to the fore. I then focus on definitions and usages of indigeneity, which are complex, and sometimes apparently contradictory, when viewed from a global perspective. The complexities that emerge from this discussion underpin the main body of the article, which is a consideration of cross-sections of research on musical appropriation and musical enculturation in and around indigenous contexts worldwide. Each case provides an opportunity to touch on concrete practices that music researchers have developed in working to create an environment of justice, mutual respect and equality, which I see as a necessary foundation for peaceful co-existence. Finally, in the Conclusion, I raise two further spaces where the professional music researcher can make distinct contributions to the establishment or maintenance of an environment characterised by greater respect for the world’s indigenous peoples and by inclusive engagement with indigenous music. en
dc.format.mimetype application/pdf en
dc.language.iso en en
dc.publisher University of Exeter en
dc.relation.uri http://www.musicandartsinaction.net/index.php/maia/article/view/186
dc.relation.uri http://musicandartsinaction.net
dc.rights © 2018 the author. This article is published in Open Access and licensed under a Creative Commons CC BY-NCND 4.0 licence – full information at https://creativecommons.org/licenses/by-nc-nd/4.0/ en
dc.rights.uri https://creativecommons.org/licenses/by-nc-nd/4.0/ en
dc.subject Music en
dc.subject Peacebuilding en
dc.subject Ethnomusicology en
dc.subject Appropriation en
dc.subject Enculturation en
dc.title Indigeneity en
dc.type Article (peer-reviewed) en
dc.internal.authorcontactother Jonathan Stock, Music, University College Cork, Cork, Ireland. +353-21-490-3000 Email: j.stock@ucc.ie en
dc.internal.availability Full text available en
dc.date.updated 2018-12-21T16:34:25Z
dc.description.version Published Version en
dc.internal.rssid 466406614
dc.description.status Peer reviewed en
dc.identifier.journaltitle Music and Arts in Action en
dc.internal.copyrightchecked !!CORA!! en
dc.internal.licenseacceptance Yes en
dc.internal.IRISemailaddress j.stock@ucc.ie en


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© 2018 the author. This article is published in Open Access and licensed under a Creative Commons CC BY-NCND 4.0 licence – full information at https://creativecommons.org/licenses/by-nc-nd/4.0/ Except where otherwise noted, this item's license is described as © 2018 the author. This article is published in Open Access and licensed under a Creative Commons CC BY-NCND 4.0 licence – full information at https://creativecommons.org/licenses/by-nc-nd/4.0/
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