• Beyond gangsta: hip-hop, web culture and racial masking in the musical work of Tyler, The Creator 

  Marques, Gustavo Souva (University College Cork, 2021-09-14)

  Tyler, The Creator (Tyler Gregory Okonma), is an African American rapper, music producer and entrepreneur who has been vigorously challenging tropes of black American masculinity. From chattel slavery to blackface minstrelsy, ...
• Music analysis: Erasure and beyond 

  Felfeli-Crawford, Karishmeh (University College Cork, 2021-05)

  This thesis considers the practice of music analysis as it pertains to various popular musics outside the classical canon. Starting with an analysis of Indian fusion rock song Kandisa, by Indian Ocean, the author demonstrates ...
• Analysing Indian Ocean’s Kandisa: a dialogue with decolonisation 

  Felfeli-Crawford, Karishmeh (Routledge - Taylor & Francis Group, 2021-07-01)

  This article provides justification for the minority scholar trained in ‘elite’ music analysis (my term) to apply voice-leading analysis to rock band Indian Ocean’s fusion number Kandisa. In so doing, I find a meaningful ...
• The transient composer: rearrangement of pre-existing music in the film score 

  McGlynn, James Denis (University College Cork, 2020)

  This thesis addresses a prominent gap in existing film music scholarship by examining rearrangement as a recurrent and important practice in contemporary screen scoring. While the use of pre-existing music in the soundtrack ...
• Site and sound: musical composition and site-specific performance – developing a creative practice through practical methodologies 

  Lane, Tom Anton Zahlbruckner (University College Cork, 2017-08-31)

  This practice-based Ph.D. investigates ways of developing site-specific performances through a variety of methodologies in order to sonically address the relationships between space, mobility and sound, focussing on mobile ...

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