• Com Defeito de Fabricação e a "Estética do Plágio" de Tom Zé: um "Manifesto Antropófago" pós-moderno/pós-colonialista 

  Rollefson, J. Griffith (Taylor & Francis Group, 2007-06-26)

  Em seu CD lançado em 1998, Com Defeito de Fabricação, o cantor e compositor Tom Zé articula os discursos da pós-modernidade e do pós-colonialismo. Mais do que simplesmente tocar em vários aspectos “pós”’, Zé elabora a ...
• Haptics in music: the effects of vibrotactile stimulus in low frequency auditory difference detection tasks 

  Young, Gareth W.; Murphy, David; Weeter, Jeffrey (Institute of Electrical and Electronics Engineers (IEEE), 2016-12-29)

  We present an experiment that investigated the effect of vibrotactile stimulation in auditory pitch discrimination tasks. Extra-auditory information was expected to have some influence upon the frequency discrimination of ...
• Le cauchemar de la France: Blackara's postcolonial hip hop critique in the City of Light 

  Rollefson, J. Griffith (Africa World Press, 2011-08)
• From ‘Myth-Science’ to ‘Robot Voodoo Power’: Sun Ra’s afrofuturist and anti-anti-essentialist legacy, with French translation by Erwan Jégouzo: Du concept de «Myth-Science» au «Robot Voodoo Power»: L’héritage afro-futuriste et anti-anti-essentialiste de Sun Ra 

  Rollefson, J. Griffith (Paraguay Press / Kunsthalle Basel, 2013)
• (In)Determinacy: incorporating openness in programmed music and performance 

  Wentworth, Sara (University College Cork, 2015)

  This portfolio and commentary demonstrates the use of indeterminacy as a method for creating live music and theater performances. The included works draw from Dadaist and Surrealist collage, avant garde theater, contemporary ...

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