• A philosophy of performance, politics and composition 

  Paris, Dorone (University College Cork, 2016)

  This thesis discusses socio-political issues worldwide through philosophical approaches to performance, politics and composition. My research also discuss sound decisions which I regard to be simultaneously an outlet for ...
• Legends as music: new composition in the traditional Irish idiom 

  Ó Corragáin, Fiachra (University College Cork, 2016)

  Engaging Ireland’s rich heritages of traditional music, story-telling, song, dance, and language, this doctoral composition project is a unique undertaking in the amalgamation of native art forms and the narrative realisation ...
• The sound of whiteness: early music vocal performance practice in Britain 

  Marshall, Melanie L. (2011-11-10)

  Critics love to tout the pure sound of early music. Think Emma Kirkby. Coupling head voice with minimal vibrato evokes sexual purity and innocence (Yri), or disembodied angels (Grieg). As the term ‘white tone’ suggests, ...
• Imitating the rustic and revealing the noble: masculine power and music at the court of Ferrara 

  Marshall, Melanie L. (Ashgate Publishing Limited, 2015-04)
• 'Lines of flight': digital musical instruments, inclusive music bands, meaningful engagement in music-making and learning 

  McHale, Gráinne (University College Cork, 2016)

  In this study I examine the development of three inclusive music bands in Cork city. Derived from Jellison’s research on inclusive music education, inclusive music bands involve students with disabilities coming together ...

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