• “Once upon a time there was a country…” – post-Yugoslav war cinema and its music 

  Djordjevic, Ana (University College Cork, 2022)

  In this thesis I focus on the music of post-Yugoslav war films produced between 1994 and 2000. By addressing topics such as nationalism and propaganda, Balkan stereotypes, war trauma, and Yugonostalgia, I expose the ...
• From popular music to the film score: innovation, interrogation, corporeality 

  Walsh, Caitríona (University College Cork, 2022-10-11)

  This thesis explores innovation in contemporary film scoring practice, specifically as it relates to the sonic output of composers and musicians with a background in popular music. In so doing, it investigates significant ...
• Music in the moment, or one day in Buklavu 

  Stock, Jonathan P. J.; Chiener, Chou (Routledge, 2021-04-20)

  This chapter presents a range of music that villager or visiting ethnomusicologist alike might encounter on a single day in the village of Buklavu in the mid-2000s. With these various sounds in mind, it's now timely to ...
• Ethics in ethnomusicological research: Historical perspectives, emergent challenges 

  Stock, Jonathan P. J. (Routledge, 2022-11-30)

  It is not surprising that ethical research practices are important in ethnomusicology, given the discipline's foundational interest in the study of music making of diverse peoples worldwide and its reliance upon long-term, ...
• Cumbia music in Colombia: Origins, transformations, and evolution of a coastal music genre 

  D'Amico, Leonardo (Duke University Press, 2013)

  Cumbia is a musical form that originated in northern Colombia and then spread throughout Latin America and wherever Latin Americans travel and settle. It has become one of the most popular musical genre in the Americas. ...

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