• Sound art~Theatre~Installation 

  Eadie, Jimmy (University College Cork, 2020-04-03)

  The works presented within this thesis were created over eight years from 2011 to 2018. They vary considerably in presentation, style and form. There are six sound art and installation pieces, and four theatre-installation ...
• Between consonance and dissonance 

  Longton, W. Hollas (University College Cork, 2019-12)

  This document and accompanying portfolio trace the philosophical and technical evolution of my work in composition from 2012 to 2015. It shows how my work - originally influenced largely by Morton Feldman and John Cage - ...
• Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments 

  Molloy, Richard (University College Cork, 2019)

  This PhD in music composition explores a compositional approach referred to as 'Transfunctionality', where traditional acoustic instruments were paired with 'Expanded Instrument Systems' (EIS). These technological peripherals ...
• Beyond the tune: new Irish music 

  Vallely, Niall (University College Cork, 2018)

  The Irish musician is in an interesting position in relation to other post-colonial world cultures. As a colonised nation we have much in common with other colonised or formerly colonised peoples but we are also a first ...
• (In)Determinacy: incorporating openness in programmed music and performance 

  Wentworth, Sara (University College Cork, 2015)

  This portfolio and commentary demonstrates the use of indeterminacy as a method for creating live music and theater performances. The included works draw from Dadaist and Surrealist collage, avant garde theater, contemporary ...

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