• (In)Determinacy: incorporating openness in programmed music and performance 

  Wentworth, Sara (University College Cork, 2015)

  This portfolio and commentary demonstrates the use of indeterminacy as a method for creating live music and theater performances. The included works draw from Dadaist and Surrealist collage, avant garde theater, contemporary ...
• From ‘Nothing’ to ‘Something’: a compositional evolution through time, media and space 

  O'Brien, Mary Geraldine (University College Cork, 2017)

  This thesis shows the progression of my compositional work as I explored the concepts of time, media and space. It demonstrates how my methodological process has evolved from the idea of a ‘Nothing’ which becomes a ...
• Extending our senses: music, nostalgia, space, artefact and the Mediterranean imaginary among the Greek- and Turkish-speaking Cypriot diaspora in Birmingham (UK) 

  Poupazis, Michalis (University College Cork, 2017)

  My PhD research focuses on Greek- and Turkish-speaking Cypriots, their musical performances and Mediterranean transbordering tropes, and their diaspora to Birmingham (UK). It introduces a new spatial construction in diaspora ...
• Interpreting the musical cultures of children in Ireland: an ethnography exploring children’s perspectives and voices in middle childhood experiences of music in Cork 

  Finnerty, Michelle (University College Cork, 2017)

  This study focuses on musical cultures that are experienced and constructed by children in various in-school and out-of-school contexts in Ireland. Situated in the wider context of children’s rights in Ireland, its rationale ...
• Portfolio of compositions with commentaries 2012-2015 

  Ryan, Conal Thomas (University College Cork, 2016)

  This writing forms part of a portfolio of works which gathers together notations and recordings made between 2012 and 2015. The writing divides into four chapters. The first chapter undertakes an examination of abstraction. ...

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