• The transient composer: rearrangement of pre-existing music in the film score 

  McGlynn, James Denis (University College Cork, 2020)

  This thesis addresses a prominent gap in existing film music scholarship by examining rearrangement as a recurrent and important practice in contemporary screen scoring. While the use of pre-existing music in the soundtrack ...
• Site and sound: musical composition and site-specific performance – developing a creative practice through practical methodologies 

  Lane, Tom Anton Zahlbruckner (University College Cork, 2017-08-31)

  This practice-based Ph.D. investigates ways of developing site-specific performances through a variety of methodologies in order to sonically address the relationships between space, mobility and sound, focussing on mobile ...
• Sound art~Theatre~Installation 

  Eadie, Jimmy (University College Cork, 2020-04-03)

  The works presented within this thesis were created over eight years from 2011 to 2018. They vary considerably in presentation, style and form. There are six sound art and installation pieces, and four theatre-installation ...
• Between consonance and dissonance 

  Longton, W. Hollas (University College Cork, 2019-12)

  This document and accompanying portfolio trace the philosophical and technical evolution of my work in composition from 2012 to 2015. It shows how my work - originally influenced largely by Morton Feldman and John Cage - ...
• Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments 

  Molloy, Richard (University College Cork, 2019)

  This PhD in music composition explores a compositional approach referred to as 'Transfunctionality', where traditional acoustic instruments were paired with 'Expanded Instrument Systems' (EIS). These technological peripherals ...

View more