• From literary text to digital story: an innovative approach to teaching Italian as a foreign language and an analysis of its impact on the manifestation of students’ expressive potential 

  Lis Ventura, Sara (University College Cork, 2020)

  This study explores the impact on foreign language learning of an innovative pedagogical approach, one which brings together literature and digital technology. Specifically, it investigates how combining the analysis of a ...
• Distorted bodies: gender, sexuality and performativity in twentieth-century Italian fantasy literature 

  O'Leary, Martina (University College Cork, 2018)

  Any examination of fantasy literature’s rich use of symbolic subject matter can reveal both the genre’s highly subversive potential, and its capacity to explore concepts generally perceived as off-limits, examples of which ...
• Il femminicidio raccontato: il discorso narrativo sulla violenza letale di genere tra giornalismo e letteratura 

  Mandolini, Nicoletta (University College Cork, 2018)

  Spostandosi dalla stretta nicchia dell’attivismo femminista al vasto panorama mediatico mainstream, la discussione italiana sulla violenza letale di genere alle donne (femminicidio) ha recentemente assunto i connotati di ...
• Origins of postmodern impegno: ethical and political commitment in the works of Gianni Celati 

  Ronchi Stefanati, Michele (University College Cork, 2019)

  This research investigates the role of Gianni Celati in the development of postmodern forms of impegno in contemporary Italy. It examines Celati’s entire works, as a writer, literary critic, translator and film-maker, from ...
• Subverting masculinity or suppressing the unmanly? Gender alterity in Palazzeschi and Capuana’s treatment of the incorporeal man 

  O'Leary, Martina (Department of French and Italian, Dickinson College, 2015)

  “Subverting Masculinity or Suppressing the Unmanly?” presents a critical examination and comparison of unreal corporeal depictions of masculinity in Palazzeschi’s Il codice di Perelà and Capuana’s ‘L’invisibile’. These ...

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