2026-09-19T02:43:14Zhttps://cora.ucc.ie/server/oai/requestoai:cora.ucc.ie:10468/40432023-04-04T07:03:32Zcom_10468_384com_10468_2com_10468_1com_10468_772col_10468_385col_10468_140col_10468_978
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Godfrey, John
Wentworth, Sara
Higher Education Authority
2017-06-02T10:41:32Z
2017-06-02T10:41:32Z
2015
2015
This portfolio and commentary demonstrates the use of indeterminacy as a method for creating live music and theater performances. The included works draw from Dadaist and Surrealist collage, avant garde theater, contemporary art, and contemporary composition, and use code, networked media, and open performance systems to create scores and environments. These works deconstruct and reconstruct topics of psychology, communication, and motivation. Seeking a balance between control and chaos, fragmentation is used as a method of experimentation, allowing for chance, variation, and feedback between technologies and performers, creating what Umberto Eco termed ‘open works.’
Higher Education Authority (PRTLI Cycle 5)
Not peer reviewed
Accepted Version
application/pdf
Wentworth, S. 2015. (In)Determinacy: incorporating openness in programmed music and performance. PhD Thesis, University College Cork.
146
https://hdl.handle.net/10468/4043
en
University College Cork
© 2015, Sara Wentworth.
http://creativecommons.org/licenses/by-nc-nd/3.0/
Indeterminacy
Programmed art
Computer art
Intermedia
Interdisciplinary
Theater
Music
Composition
Installation
Art
Collage
Open score
DAH
Digital Arts
Digital Humanities
Digital Arts and Humanities
false
(In)Determinacy: incorporating openness in programmed music and performance
Doctoral thesis
Doctoral
PhD (Arts)
j.godfrey@ucc.ieinfo:eu-repo/semantics/openAccess