Between consonance and dissonance

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dc.contributor.advisor Godfrey, John en Longton, W. Hollas 2020-06-09T09:49:27Z 2020-06-09T09:49:27Z 2019-12 2019-12
dc.identifier.citation Longton, W. H. 2019. Between consonance and dissonance. PhD Thesis, University College Cork. en
dc.identifier.endpage 125 en
dc.description.abstract This document and accompanying portfolio trace the philosophical and technical evolution of my work in composition from 2012 to 2015. It shows how my work - originally influenced largely by Morton Feldman and John Cage - developed as a result of my interest in just intonation and microtonality and through the influences of James Tenney, Alvin Lucier, La Monte Young, and painters Jackson Pollock and Gerhard Richter. The first section provides background and places my work within the compositional/artistic canon while the second section discusses the work in more technical detail. At the end of the document there is a more detailed examination of four works: ’Harmonic Catalogue’, ‘Some Perfect Chords’, ‘Some Imperfect Chords’, and ’Landscape with Train Whistle’, which are the culmination of the attitudes at University College Cork. en
dc.format.mimetype application/pdf en
dc.language.iso en en
dc.publisher University College Cork en
dc.rights © 2019, W. Hollas Longton. en
dc.rights.uri en
dc.subject Microtonality en
dc.subject Dissonance en
dc.subject Consonance en
dc.subject Just intonation en
dc.title Between consonance and dissonance en
dc.type Doctoral thesis en
dc.type.qualificationlevel Doctoral en
dc.type.qualificationname PhD - Doctor of Philosophy en
dc.internal.availability Full text available en
dc.description.version Accepted Version en
dc.description.status Not peer reviewed en Music en
dc.internal.conferring Summer 2020 en
dc.availability.bitstream openaccess

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© 2019, W. Hollas Longton. Except where otherwise noted, this item's license is described as © 2019, W. Hollas Longton.
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