A philosophy of performance, politics and composition

Show simple item record

dc.contributor.advisor Weeter, Jeffrey en
dc.contributor.advisor Godfrey, John en
dc.contributor.author Paris, Dorone
dc.date.accessioned 2016-06-27T09:14:50Z
dc.date.available 2016-06-27T09:14:50Z
dc.date.issued 2016
dc.date.submitted 2016
dc.identifier.citation Paris, D. 2016. A philosophy of performance, politics and composition. PhD Thesis, University College Cork. en
dc.identifier.endpage 114 en
dc.identifier.uri http://hdl.handle.net/10468/2783
dc.description.abstract This thesis discusses socio-political issues worldwide through philosophical approaches to performance, politics and composition. My research also discuss sound decisions which I regard to be simultaneously an outlet for personal expression, as well as a practical tool to inspire a socio-political change in society. Although the latter is paramount to the methodology of the project, the sound cannot be regarded in isolation as a “political composition”. It can only become truly functional in a political sense through interaction with other art forms, within the context of a specific place and time. My portfolio for this project is of two socio-political projects which are my chief concern. The first project concerns the Israeli-Palestinian conflict. I named this project PATH. PATH aims to foster and expand peaceful thought between Jewish and Palestinian civilians in Israel-Palestine. Through performance art, PATH spreads a message of acceptance, unity and brotherhood between our peoples. Above all, PATH demands and end to intolerance, hatred and violence among all the inhabitants of the State of Israel. The second project concerns women’s rights globally. I have realised that although we have come a long way in our struggle for rights for women, great challenges remain. There is a need to unite women and men against a form of oppression that discriminates against 50% of the world’s population. I called this project, For Utopia. en
dc.format.mimetype application/pdf en
dc.language.iso en en
dc.publisher University College Cork en
dc.rights © 2016, Dorone Paris. en
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/ en
dc.subject Composition en
dc.subject Political music en
dc.subject Political art en
dc.subject Philosophy and music en
dc.title A philosophy of performance, politics and composition en
dc.type Doctoral thesis en
dc.type.qualificationlevel Doctoral en
dc.type.qualificationname PhD (Arts) en
dc.internal.availability Full text available en
dc.check.info No embargo required en
dc.description.version Accepted Version
dc.description.status Not peer reviewed en
dc.internal.school Music en
dc.check.type No Embargo Required
dc.check.reason No embargo required en
dc.check.opt-out No en
dc.thesis.opt-out false
dc.check.embargoformat Not applicable en
ucc.workflow.supervisor j.weeter@ucc.ie
dc.internal.conferring Autumn 2016 en

Files in this item

This item appears in the following Collection(s)

Show simple item record

© 2016, Dorone Paris. Except where otherwise noted, this item's license is described as © 2016, Dorone Paris.
This website uses cookies. By using this website, you consent to the use of cookies in accordance with the UCC Privacy and Cookies Statement. For more information about cookies and how you can disable them, visit our Privacy and Cookies statement