• The reader on red alert: Stanley Kubrick, Peter George, and the evolution of fear 

  Allen, Graham (Università di Bologna, 2017-12)

  One of the purposes of studying adaptation is to allow, periodically, for a reassessment of the dominant assumptions concerning the relation between films and their non-filmic, often literary intertexts. The relation between ...
• Greasers, gringos and wetbacks: ventriloquizing the U.S. - Mexico borderlands in Gloria Anzaldúa's dramatic monologues 

  Alexander, Donna Maria (Oxford University Press, 2018-10-04)

  This article focuses on two dramatic monologues by Chicana writer Gloria Anzaldúa. In ‘We Call Them Greasers’ and ‘sobre piedras con lagartijos’, Anzaldúa uses the voices of an Anglo male colonist and a male border-crosser ...
• "Informed Love": human and non-human bodies in Tim Robinson's ethical aesthetic 

  O'Connor, Maureen (Asociación Española de Estudios Irlandeses (AEDEI), 2018-10-31)

  Tim Robinson’s rich and variegated cultural productions have generated serious critical consideration in the twenty-first century, mostly addressing his use of folkways and mythology, the cartographic and artistic elements ...
• Rape and the (animal) other: making monsters in J. M. Coetzee’s Disgrace 

  Moffat, Nicola Jane (University Of Chicago Press, 2017)

  This article proposes a new theoretical category, the “monstrative,” which is used both as a way to explain the performative acts that produce a monster and as a point of departure for feminist ontologies seeking a more ...
• Structure and Thematic Development in "Beowulf" 

  Ó Carragáin, Éamonn (Royal Irish Academy, 1967-11-30)

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