• Between Pantheons: Roman landscape and topography in Butor’s La Modification 

  Cox, Fiona; Ó Carragáin, Éamonn (The Virgil Society, 2004)
• 'Kaleidoscopes of Changing Pictures': Representing nations in toy theatres 

  Robinson, Joanna (Oxford University Press, 2018-01-25)

  Toy theatre was an adjunct trade to London theatreland in the nineteenth century. Publishers produced miniature versions of popular productions on stage in contemporary playhouses. Consequently, toy theatre has typically ...
• The hyphenated persona: Aidan Quinn’s Irish-American performances 

  Goff, Loretta (Deakin University, 2017-06)

  This article examines the hyphenated Irish-American identity performed by actor Aidan Quinn across a number of his media appearances. Hyphenated identities are frequently used in our increasingly globalised, migratory world ...
• “Racism’s part of my culture”: Nation, race and humour in Irish Jam (2006) and The Guard (2011) 

  Goff, Loretta (Film and Screen Media, University College Cork, 2017)

  This article applies theories of humour (incongruity, superiority, relief) to a reading of the films Irish Jam (John Eyres, 2006) and The Guard (John Michael McDonagh, 2011) in order to interrogate their depiction of racial, ...
• Modernity, gender, and the nation in Joseph O'Connor's Star of the Sea 

  Ó Gallchoir, Clíona (Edinburgh University Press, 2013-11)

  The late 1990s and early 2000s were marked by the appearance of a number of ambitious historical novels by Irish writers, including Joseph O'Connor's Star of the Sea (2004), which enjoyed both critical and commercial success ...

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