Writers and Fighters: a comparative study of the Irish literary revival (1900 - 1922) with the revolutionary Chinese May Fourth literary era (1915 - 1927)

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dc.check.date9999-12-31
dc.check.infoNot applicableen
dc.check.opt-outYesen
dc.contributor.advisorHolzer, Constantinen
dc.contributor.authorO'Malley-Sutton, Simone
dc.contributor.funderKeough Naughton Institute, Notre Dame University, Indiana, United Statesen
dc.date.accessioned2019-06-06T11:47:05Z
dc.date.available2019-06-06T11:47:05Z
dc.date.issued2019
dc.date.submitted2019
dc.description.abstractThis study elucidates the link between Irish Revival Literature and the Chinese May Fourth cultural and political movement (1917-1923). Within the framework of Colonial and Postcolonial studies, the study provides a comparative analysis of works by W.B. Yeats (1865-1939) vs Lu Xun (1881-1936), Sean O’Casey (1880-1964) vs Lao She (1899-1966), Lady Gregory (1852-1932) vs Qiu Jin (1875-1907), and, finally, John Millington Synge (1871-1909) and Cao Yu (1910-1996). The research is based on archive consultation, drawing upon a consistent number of Chinese primary sources. The work sheds new light on the reception, within the May Fourth cultural and political movement, of the authors above. It analyses how Irish Revivalist Literature was reshaped in the Chinese context and explicates the various cultural and political implications of these processes. The research provides evidence of the following aspects: (i) The Irish Revivalist linguistic legacy had a unique impact on the Chinese May 4th Movement. The anti-colonialism of writings by Yeats, Synge and Lady Gregory became useful as a model of decolonisation literature for Chinese intellectuals, particularly during the nineteen-twenties. More specifically, through archival research, the author showed that: (ii) Yeats appeared more frequently in Chinese newspaper accounts than other Irish writers such as Wilde, Joyce, Shaw or Beckett and thus was well known by Chinese May Fourth writers as a model for modern literature. Thus, in the account on the Chinese reception of Yeats, an original contribution is provided, adding new arguments to the analysis proposed by Linda Pui-Ling Wong (2003). (iii) Lady Gregory’s plays The Rising of the Moon and Spreading the News were read and translated by Chinese intellectuals and performed throughout China by peasant actors and directors during the 1920s and 1930s. (iv) Seán O’Casey’s and J.M. Synge’s works had also been translated, published and performed in China. Moreover, their writing anticipated some aspects of Brechtian Alienation Effect, a feature that is also perceivable in Lao She’s Teahouse.en
dc.description.statusNot peer revieweden
dc.description.versionAccepted Version
dc.format.mimetypeapplication/pdfen
dc.identifier.citationO'Malley-Sutton, S. 2019. Writers and Fighters: a comparative study of the Irish literary revival (1900 - 1922) with the revolutionary Chinese May Fourth literary era (1915 - 1927). PhD Thesis, University College Cork.en
dc.identifier.endpage359en
dc.identifier.urihttps://hdl.handle.net/10468/8027
dc.language.isoenen
dc.publisherUniversity College Corken
dc.relation.projectKeough Naughton Institute, Notre Dame University, Indiana, United States (Murphy Irish Fellowship 2016-2018)en
dc.rights© 2019, Simone O' Malley-Sutton.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/en
dc.subjectChinese May Fourthen
dc.subjectComparative studyen
dc.subjectPostcolonialen
dc.subjectModernismen
dc.subjectGenderen
dc.subjectIrish literary revivalen
dc.thesis.opt-outfalse
dc.titleWriters and Fighters: a comparative study of the Irish literary revival (1900 - 1922) with the revolutionary Chinese May Fourth literary era (1915 - 1927)en
dc.typeDoctoral thesisen
dc.type.qualificationlevelDoctoralen
dc.type.qualificationnamePhDen
ucc.workflow.supervisorconstantin.holzer@ucc.ie
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