Suzuki Seijun and Postwar Japanese Cinema, by William Carroll

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dc.contributor.authorFranklin, Daviden
dc.contributor.editorMurphy, Jillen
dc.date.accessioned2024-02-08T09:53:19Z
dc.date.available2024-02-08T09:53:19Z
dc.date.issued2024-02-07en
dc.description.statusNot peer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationFranklin, D. (2024) “Suzuki Seijun and Postwar Japanese Cinema, by William Carroll', Alphaville: Journal of Film and Screen Media, 26, pp. 190-194. doi: https://doi.org/10.33178/alpha.26.13en
dc.identifier.doihttps://doi.org/10.33178/alpha.26.13en
dc.identifier.endpage194en
dc.identifier.issued26
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage190en
dc.identifier.urihttps://hdl.handle.net/10468/15524
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.rights© 2024, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subjectSuzuki Seijunen
dc.subjectJapanese cinemaen
dc.subjectJapanese new waveen
dc.subjectFilm theoryen
dc.titleSuzuki Seijun and Postwar Japanese Cinema, by William Carrollen
dc.typeArticle (not peer-reviewed)en
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Alphaville: Journal of Film and Screen Media. Issue 26: Home as a Site of Resistance