“Single Out the Devalued”: The figure of the nonhuman animal in Eavan Boland’s poetry
dc.contributor.author | O'Connor, Maureen | |
dc.date.accessioned | 2022-11-07T13:19:04Z | |
dc.date.available | 2022-11-07T13:19:04Z | |
dc.date.issued | 2021-05-23 | |
dc.date.updated | 2022-10-28T14:08:28Z | |
dc.description.abstract | Boland has argued that “good nature poets are always subversive” and, though she did not identify as a nature poet, she compares her praxis to theirs: “their lexicon is the overlooked and the disregarded…. They single out the devalued and make a deep, metaphorical relation between it and some devalued parts of perception.” Boland’s engagement with the “natural” rarely provides a focus for analyses of her work, which predominantly attend to the poet’s own frequently identified preoccupations: her relationship to history, especially Irish history, and her role as an Irish woman writing within and against a largely male-dominated tradition. However, both of these issues of ambivalent and insecure identification and situatedness are implicitly connected to cultural constructions of the “natural.” This essay traces Boland’s negotiation with a legacy of Irish women’s silence by considering the appearance of the nonhuman animal in her verse, which evolves from traditional metaphor to a figure that challenges representational norms and expectations, thereby transvaluing the signifying power of silence and questioning the status of language itself, particularly as a uniquely human construct. | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Published Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | O’Connor, M. (2021). “Single Out the Devalued”: The Figure of the Nonhuman Animal in Eavan Boland’s Poetry. ABEI Journal: The Brazilian Journal of Irish Studies, 23(2), pp. 35-49. https://doi.org/10.37389/abei.v23i2.197751 | en |
dc.identifier.doi | 10.37389/abei.v23i2.197751 | en |
dc.identifier.endpage | 49 | en |
dc.identifier.issn | 2595-8127 | |
dc.identifier.issued | 2 | en |
dc.identifier.journaltitle | ABEI Journal: The Brazilian Journal of Irish Studies | en |
dc.identifier.startpage | 35 | en |
dc.identifier.uri | https://hdl.handle.net/10468/13824 | |
dc.identifier.volume | 23 | en |
dc.language.iso | en | en |
dc.publisher | Associação Brasileira de Estudos Irlandeses and University of São Paulo | en |
dc.relation.uri | https://doi.org/10.37389/abei.v23i2.197751 | |
dc.relation.uri | https://www.revistas.usp.br/abei/article/view/197751 | |
dc.rights | © 2021 Maureen O'Connor. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. | en |
dc.rights.uri | https://creativecommons.org/licenses/by-nc/4.0/ | en |
dc.subject | Irish women’s writing | en |
dc.subject | Irish poetry | en |
dc.subject | Ecofeminism | en |
dc.subject | New materialism | en |
dc.subject | Animal studies | en |
dc.subject | Eavan Boland | en |
dc.title | “Single Out the Devalued”: The figure of the nonhuman animal in Eavan Boland’s poetry | en |
dc.type | Article (peer-reviewed) | en |
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