New directions in Chinese music research - multi-disciplinarity, in-betweenness, and engagement
| dc.contributor.author | Stock, Jonathan P. J. | en |
| dc.date.accessioned | 2025-05-16T12:04:05Z | |
| dc.date.available | 2025-05-16T12:04:05Z | |
| dc.date.issued | 2025-01-01 | |
| dc.description.abstract | This talk identifies prospects for Chinese music studies in the cont emporary era as we collectively develop a multi-disciplinary future that is acade mically valuable, incisive, and inclusive of researchers from contrasting linguistic, societal, and intellectual backgrounds. I present a view of Chinese music studies as a meeting point for scholars who represent positions and perspectives that are inherently “in-between” (between disciplines; between research consultants and readerships; mediating historical, cultural, or linguistic gulfs; etc.), sometimes multiply so. This suggests an explicitly “messy” reality, in which we actively build bridges through cooperation, cross-reading, translation, and consultation. In such a situation, we need to shift continuously from phases of more individual enquiry toward moments of shared focus and back again, sustaining common points-of-reference and the benefits of flexible and diverse responses to newly arising or newly rediscovered concerns. I outline selected concrete steps that we might take in strengthening our “in-betweenness,” which significantly includes greater translation from Chinese to English (and other languages), and I offer a rationale for providing enhanced attention to co-research and co-authoring as ways of producing engaged music research alongside members of musical communities for global readerships. | en |
| dc.description.status | Peer reviewed | en |
| dc.description.version | Published Version | en |
| dc.format.mimetype | application/pdf | en |
| dc.identifier.citation | Stock, J. P. J (2025) 'New directions in Chinese music research - multi-disciplinarity, in-betweenness, and engagement', Asian Musicology, 34(1), pp. 11-20. https://doi.org/10.3726/JAM341_11 | en |
| dc.identifier.doi | 10.3726/JAM341_11 | en |
| dc.identifier.endpage | 20 | en |
| dc.identifier.issn | 1229-9413 | en |
| dc.identifier.issued | 1 | en |
| dc.identifier.journaltitle | Asian Musicology | en |
| dc.identifier.startpage | 11 | en |
| dc.identifier.uri | https://hdl.handle.net/10468/17512 | |
| dc.identifier.volume | 34 | en |
| dc.language.iso | en | en |
| dc.publisher | Peter Lang | en |
| dc.relation.uri | https://www.peterlang.com/document/1570083 | en |
| dc.rights | © 2024, Jonathan P. J. Stock. Except where otherwise noted, content can be used under the terms of the Creative Commons Attribution 4.0 International license. For details go to http://creativecommons.org/licenses/by/4.0/ | en |
| dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | en |
| dc.subject | Chinese music studies | en |
| dc.subject | Chinese music | en |
| dc.subject | In-between | en |
| dc.subject | Translation | en |
| dc.subject | Cooperation | en |
| dc.subject | Multidisciplinary | en |
| dc.subject | ~Music - Journal Articles~ | en |
| dc.title | New directions in Chinese music research - multi-disciplinarity, in-betweenness, and engagement | en |
| dc.title.alternative | Zhongguo yinyue yanjiu de xin fangxian: duoxuekexing, zhongjian yu canyuxing | en |
| dc.type | Article (peer-reviewed) | en |
