Making nothing happen: the transition from reactive nihilism to affirmation in Jim Jarmusch’s Broken Flowers (2005)
dc.contributor.author | Backman Rogers, Anna | en |
dc.date.accessioned | 2012-08-02T15:07:52Z | |
dc.date.available | 2012-08-02T15:07:52Z | |
dc.date.issued | 2011 | |
dc.description.abstract | This article draws from Gilles Deleuze’s interpretation of the Nietzschean concept of “the eternal return” in order to read Jim Jarmusch’s film Broken Flowers as being not merely a study in duration, apathy and reactive nihilism, but also a film which, through its formal repetitive structure, also offers pathways to transformation and affirmation. As such, I argue that the central protagonist, Don Johnston undergoes a subtle yet crucial change in the course of the film from a state of ressentiment to affirmation and becoming. I also characterise the film as an absurdist quest or road movie. | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Published Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Backman Rogers, A. (2011) 'Making nothing happen: the transition from reactive nihilism to affirmation in Jim Jarmusch’s Broken Flowers (2005)', Alphaville: Journal of Film and Screen Media, 2 (Winter 2011). 10.33178/alpha.2.06 | en |
dc.identifier.doi | https://doi.org/10.33178/alpha.2.06 | |
dc.identifier.endpage | 75 | en |
dc.identifier.issn | 2009-4078 | en |
dc.identifier.issued | 2 | en |
dc.identifier.journalabbrev | Alphaville | |
dc.identifier.journaltitle | Alphaville: Journal of Film and Screen Media | en |
dc.identifier.startpage | 60 | en |
dc.identifier.uri | https://hdl.handle.net/10468/680 | |
dc.publisher | Film and Screen Media, University College Cork | en |
dc.relation.uri | http://www.alphavillejournal.com/Issue%202/HTML/ArticleBackmanRogers.html | en |
dc.rights | © 2011, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. | en |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.subject | Broken Flowers | en |
dc.subject | Road movie | en |
dc.subject | The eternal return | en |
dc.subject | The affirmative life | en |
dc.subject | Gilles Deleuze | en |
dc.subject | Bill Murray | en |
dc.subject | Existential dilemmas | en |
dc.subject | Ethical dilemmas | en |
dc.subject.lcsh | Nihilism (Philosophy) | en |
dc.subject.lcsh | Road films--History and criticism | en |
dc.title | Making nothing happen: the transition from reactive nihilism to affirmation in Jim Jarmusch’s Broken Flowers (2005) | en |
dc.type | Article (peer-reviewed) | en |