Music in “reticent” cinema

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dc.contributor.authorWierzbicki, Jamesen
dc.contributor.editorGreene, Lizen
dc.date.accessioned2024-07-02T13:19:05Z
dc.date.available2024-07-02T13:19:05Z
dc.date.issued45475en
dc.description.abstractExpanding on ideas presented by Danijela Kulezic-Wilson in a chapter of her 2020 book Sound Design Is the New Score, this article explores the nature of “reticent” films both old and new, and it suggests that often it is because their soundtracks have so little to “say” that these films communicate so very, very much.en
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationWierzbicki, J. (2024) 'Music in ‘reticent’ cinema', Alphaville: Journal of Film and Screen Media, 27, pp. 189–205. DOI: https://doi.org/10.33178/alpha.27.16en
dc.identifier.doi10.33178/alpha.27.16en
dc.identifier.endpage205en
dc.identifier.issued27
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage189en
dc.identifier.urihttps://hdl.handle.net/10468/16069
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.ispartofAlphaville: Journal of Film and Screen Mediaen
dc.relation.urihttps://www.alphavillejournal.com/Issue27/HTML/ArticleWierzbicki.html
dc.rights© 2024, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subjectAmbiguityen
dc.subjectEndingsen
dc.subjectClassical-style filmsen
dc.subjectMusical meaningen
dc.titleMusic in “reticent” cinemaen
dc.typeArticle (peer-reviewed)en
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