Conclusions: New directions in Chinese music research

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dc.check.date2024-10-23
dc.check.infoAccess to this article is restricted until 12 months after publication by request of the publisher
dc.contributor.authorStock, Jonathan P. J.
dc.contributor.editorStock , Jonathan P. J.
dc.contributor.editorYu, Hui
dc.date.accessioned2024-05-23T15:39:14Z
dc.date.available2024-05-20T16:01:33Zen
dc.date.available2024-05-23T15:39:14Z
dc.date.issued2023-10-23
dc.date.updated2024-05-20T15:01:38Zen
dc.description.abstractThe chapter discusses the prospects for Chinese music studies as a global and multilingual discipline. It assesses translation, theory production, co-authoring, and other forms of critical engagement and identifies sample areas where these trends are exemplified in new research: global music history, diaspora, decolonization, intangible cultural heritage.en
dc.description.statusPeer revieweden
dc.description.versionAccepted Version
dc.format.mimetypeapplication/pdfen
dc.identifier.citationStock, J. P. J. (2023) 'Conclusions: New directions in Chinese music research', in Stock, J. P. J. and Yu, H. (eds) The Oxford Handbook of Music in China and the Chinese Diaspora. New York : Oxford University Press, pp. 491-510. https://doi.org/10.1093/oxfordhb/9780190661960.013.31
dc.identifier.doihttps://doi.org/10.1093/oxfordhb/9780190661960.013.31
dc.identifier.endpage510
dc.identifier.isbn9780190661991
dc.identifier.isbn9780190661960
dc.identifier.startpage491
dc.identifier.urihttps://hdl.handle.net/10468/15909
dc.language.isoenen
dc.publisherOxford University Pressen
dc.rights© 2023, Oxford University Press. All rights reserved.
dc.subjectMusicology
dc.subjectEthnomusicology
dc.subjectChinese music studies
dc.subjectLanguage
dc.subjectStructural inequalities
dc.subjectTheoretical directions
dc.titleConclusions: New directions in Chinese music research
dc.typeBook chapter
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