Negotiating national identity on film: competing readings of Zhang Yimou’s 'Hero'

dc.contributor.authorde la Garza, Armida
dc.date.accessioned2016-11-24T09:58:12Z
dc.date.available2016-11-24T09:58:12Z
dc.date.issued2007
dc.date.updated2016-11-20T18:08:15Z
dc.description.abstractHow are national identities transformed? If they are mostly narratives of belonging to a community of history and destiny to which people subscribe, those boundary-making procedures that constitute the political field by instituting differences can provide a tentative answer to this question. This paper is concerned with one such cultural practice, namely film-viewing. Globalisation, a boundary-blurring practice, has been the backdrop against which transformations in national identity are often discussed, either bemoaned as cultural imperialism or celebrated as ongoing hybridisation. This piece of research took Zhang Yimou’s controversial film Hero as a point of departure, and asked groups of Chinese audiences how they understood the Chinese identity it conveys. Although it is still a work in progress, provisional results are reported below.en
dc.description.statusPeer revieweden
dc.description.versionAccepted Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationde la Garza, A. (2007) 'Negotiating national identity on film: competing readings of Zhang Yimou’s 'Hero'', Media Asia, 34(1), pp. 27-32. doi: 10.1080/01296612.2007.11726842en
dc.identifier.doi10.1080/01296612.2007.11726842
dc.identifier.endpage32en
dc.identifier.issn0129-6612
dc.identifier.issued1en
dc.identifier.journaltitleMedia Asiaen
dc.identifier.startpage27en
dc.identifier.urihttps://hdl.handle.net/10468/3311
dc.identifier.volume34en
dc.language.isoenen
dc.publisherTaylor & Francis
dc.rights© 2007, Taylor & Francis. This is the Accepted Manuscript of an article published by Taylor & Francis in Media Asia 34(1), 2007, available online: http://www.tandfonline.com/10.1080/01296612.2007.11726842en
dc.subjectZhang Yimouen
dc.subjectNational identityen
dc.subjectNational cinemaen
dc.titleNegotiating national identity on film: competing readings of Zhang Yimou’s 'Hero'en
dc.typeArticle (peer-reviewed)en
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