The films of Ciro Guerra and the making of cosmopolitan spaces in Colombian cinema

Thumbnail Image
ArticleLunaMeers.pdf(285.01 KB)
Published Version
Luna, Maria
Meers, Philippe
Journal Title
Journal ISSN
Volume Title
Film and Screen Media, University College Cork
Research Projects
Organizational Units
Journal Issue
This article proposes to use the concept of “cosmopolitan cinematic margins” to analyse the paradoxical meeting of the cosmopolitan meaning and discourses of Ciro Guerra’s Colombian films and the spatial restrictions and immobility of the rural and remote places in which they are set. Such areas as seen on screen are usually interpreted by urban audiences as exotic locations, independently of their actual distance from cities. The article explores how films that, at first sight, show images of marginal and remote places like the Colombian Amazonian Jungle, when inserted into a global context—such as the hierarchical system of international film festivals—become symbols of cosmopolitan cinematic margins, and represent a country in the global spaces that legitimise the importance of that country’s film production. The cosmopolitan cinematic margins in the films of Guerra are then strategically situated in environments of global mobility and international prestige.
Cosmopolitan cinematic margins , Immobility , Spatial restriction , Rural , Remote , Marginal , Exotic location , Colombian Amazonian Jungle , Global context , Film production , Global mobility , International prestige , Ciro Guerra
Luna, M. and Meers, P. (2017) ‘The films of Ciro Guerra and the making of cosmopolitan spaces in Colombian cinema’, Alphaville: Journal of Film and Screen Media,14, pp. 126–142.