Justin Timberlake’s two-part complementary forms: Groove, extension, and maturity in twenty-first-century popular music

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dc.contributor.authorGraham, Stephen
dc.date.accessioned2026-02-17T14:50:02Z
dc.date.available2026-02-17T14:50:02Z
dc.date.issued2014-12
dc.description.versionAccepted Version
dc.format.extent27
dc.format.mimetypeapplication/pdfen
dc.identifier.authororcidGraham, Stephen
dc.identifier.citationGraham, S 2014, 'Justin Timberlake’s two-part complementary forms: Groove, extension, and maturity in twenty-first-century popular music', Popular Music, vol. 32, no. 4, pp. 448-474.
dc.identifier.endpage474
dc.identifier.issn0261-1430
dc.identifier.issued4
dc.identifier.journaltitlePopular Music
dc.identifier.startpage448
dc.identifier.urihttps://hdl.handle.net/10468/18536
dc.identifier.volume32
dc.language.isoen
dc.publisherCambridge University Press
dc.rights© 2015, the Board of Trustees of the University of Illinois.
dc.rights.accessrightsopen access
dc.statusPeer reviewed
dc.subjectJustin Timberlake
dc.subjectPopular music
dc.subject[CACSSSOffice]
dc.titleJustin Timberlake’s two-part complementary forms: Groove, extension, and maturity in twenty-first-century popular musicen
dc.typeArticle (peer-reviewed)
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