Towards a Film Theory From Below: Archival Film and the Aesthetics of the Crack-up, by Jiří Anger

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dc.contributor.authorGrizzaffi, Chiaraen
dc.contributor.editorMurphy, Jillen
dc.date.accessioned2026-09-01T14:21:12Z
dc.date.available2026-09-01T14:21:12Z
dc.date.issued2026-09-04en
dc.description.statusNot peer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationGrizzaffi, C. (2026) 'Towards a Film Theory From Below: Archival Film and the Aesthetics of the Crack-up, by Jiří Anger', Alphaville: Journal of Film and Screen Media, 31, pp. 128–132. https://doi.org/10.33178/alpha.31.13en
dc.identifier.doi10.33178/alpha.31.13en
dc.identifier.endpage132en
dc.identifier.issued31
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage128en
dc.identifier.urihttps://hdl.handle.net/10468/19159
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.ispartofAlphaville: Journal of Film and Screen Mediaen
dc.rights© 2026, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.titleTowards a Film Theory From Below: Archival Film and the Aesthetics of the Crack-up, by Jiří Angeren
dc.typeArticle (non peer-reviewed)en
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