'Enigmatic territories': geographies of popular music

dc.contributor.authorHogan, Eileen
dc.contributor.editorCronin, Kathleen
dc.contributor.editorMaulion, Helen
dc.date.accessioned2012-10-08T09:22:50Z
dc.date.available2012-10-08T09:22:50Z
dc.date.issued2007
dc.date.updated2012-10-01T11:04:27Z
dc.description.abstractMusic is by nature geographical. Musical phrases have movement and direction, as though there are places in the music: quiet places and noisy places, places that offer familiarity, nostalgia or a sense of difference, while the dynamism of music reflects changing lives. Sound is a crucial element in the world we construct for ourselves, and the world that others construct and impose on us (Connell and Gibson 2003: p280).en
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationHogan, E., (2007) 'Enigmatic Territories': Geographies of Popular Music'. Chimera, (22), pp.162-180.en
dc.identifier.endpage180en
dc.identifier.issn0790-7354
dc.identifier.issued22en
dc.identifier.journaltitleChimeraen
dc.identifier.startpage162en
dc.identifier.urihttps://hdl.handle.net/10468/716
dc.language.isoenen
dc.publisherDepartment of Geography, UCCen
dc.relation.urihttp://chimeraucc.blogspot.ie/2012/09/call-for-papers.html
dc.rights© 2007, Eileen Hoganen
dc.subjectMusicen
dc.subjectMusic geographyen
dc.subjectMusic and national identityen
dc.subjectMusic and local identityen
dc.subjectMusic and migrationen
dc.title'Enigmatic territories': geographies of popular musicen
dc.typeArticle (peer-reviewed)en
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