To infinity and back again: hand-drawn aesthetic and affection for the past in Pixar's pioneering animation
dc.contributor.author | Haswell, Helen | |
dc.date.accessioned | 2018-04-24T11:27:38Z | |
dc.date.available | 2018-04-24T11:27:38Z | |
dc.date.issued | 2014 | |
dc.description.abstract | In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. La Luna (Enrico Casarosa) marks a pivotal shift in Pixar’s short film canon by displaying hand-drawn artwork and man-made textures. Widely considered the innovators of computer-generated animation, Pixar is now experimenting with 2D animation techniques and with textures that oppose the clean and polished look of mainstream American animation. This article aims to outline the significant technological developments that have facilitated an organic aesthetic by suggesting that nostalgia dictates a preference for a more traditional look. It will also argue that this process pioneered by Pixar has in turn influenced the most recent short films of Walt Disney Animation Studios | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Published Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Haswell, H. (2014) 'To infinity and back again: hand-drawn aesthetic and affection for the past in Pixar's pioneering animation', Alphaville: Journal of Film and Screen Media, 8. https://doi.org/10.33178/alpha.8.02 | en |
dc.identifier.doi | https://doi.org/10.33178/alpha.8.02 | |
dc.identifier.endpage | 40 | |
dc.identifier.issn | 2009-4078 | |
dc.identifier.issued | 8 | |
dc.identifier.journalabbrev | Alphaville | |
dc.identifier.journaltitle | Alphaville: Journal of Film and Screen Media | en |
dc.identifier.startpage | 24 | |
dc.identifier.uri | https://hdl.handle.net/10468/5856 | |
dc.language.iso | en | en |
dc.publisher | Film and Screen Media, University College Cork | en |
dc.relation.uri | http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html | |
dc.rights | © 2014, The Author(s) | en |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.subject | Digital animation | en |
dc.subject | Pixar | en |
dc.subject | Technological | en |
dc.subject | Short film | en |
dc.subject | La Luna | en |
dc.subject | Hand-drawn artwork | en |
dc.subject | Man-made texture | en |
dc.subject | Computer-generated animation | en |
dc.subject | 2D | en |
dc.subject | Nostalgia | en |
dc.subject | Tradition | en |
dc.subject | Organic aesthetic | en |
dc.title | To infinity and back again: hand-drawn aesthetic and affection for the past in Pixar's pioneering animation | en |
dc.type | Article (peer-reviewed) | en |
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