Introduction: Adaptation Considered as a Collaborative Art: Process and Practice
| dc.contributor.author | MagShamhráin, Rachel | |
| dc.contributor.author | Preuschoff, Nikolai | |
| dc.contributor.author | Cronin, Bernadette | |
| dc.date.accessioned | 2020-10-07T11:23:35Z | |
| dc.date.available | 2020-10-07T11:23:35Z | |
| dc.date.issued | 2020-05-09 | |
| dc.date.updated | 2020-10-07T11:12:30Z | |
| dc.description.abstract | The introductory chapter seeks to resituate imaginatively the process of adaptation, borrowing from the myth of Orpheus to do so. Rather than a Cronus-like conflict between original and offspring, adaptation is imagined as an elegiac conversation, back and forth between the worlds of the living and the dead, and a refusal of the pastness of objects lost in time. This exchange between interlocutors across or against time produces art and meaning in a contrapuntal meeting of voices in both eu- and dysphonia. | en |
| dc.description.status | Peer reviewed | en |
| dc.description.version | Accepted Version | en |
| dc.format.mimetype | application/pdf | en |
| dc.identifier.citation | MagShamhráin, R., Preuschoff, N. and Cronin, B. (2020) 'Introduction', in Cronin, B., MagShamhráin, R. & Preuschoff, N. (eds.) Adaptation Considered as a Collaborative Art: Process and Practice. Cham: Springer International Publishing, pp. 1-16. doi: 10.1007/978-3-030-25161-1_1 | en |
| dc.identifier.doi | 10.1007/978-3-030-25161-1_1 | en |
| dc.identifier.endpage | 16 | en |
| dc.identifier.isbn | 978-3-030-25161-1 | |
| dc.identifier.startpage | 1 | en |
| dc.identifier.uri | https://hdl.handle.net/10468/10643 | |
| dc.language.iso | en | en |
| dc.publisher | Springer International Publishing | en |
| dc.relation.ispartof | Adaptation Considered as a Collaborative Art: Process and Practice | |
| dc.relation.uri | https://link.springer.com/chapter/10.1007%2F978-3-030-25161-1_1 | |
| dc.rights | © The Authors 2020. Published by Springer International Publishing. The final authenticated version is available online at https://doi.org/10.1007/978-3-030-25161-1_1 | en |
| dc.subject | Theatre | en |
| dc.subject | Theater performance | en |
| dc.subject | Adaptation | en |
| dc.subject | Orpheus | en |
| dc.title | Introduction: Adaptation Considered as a Collaborative Art: Process and Practice | en |
| dc.type | Book chapter | en |
