The subjective voice and hybrid documentary filmmaking strategies: A case study

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dc.contributor.authorDaniels, Jill
dc.contributor.editorChambers, Ciaraen
dc.date.accessioned2019-07-23T08:29:42Z
dc.date.available2019-07-23T08:29:42Z
dc.date.issued2019
dc.description.abstractIn this case study Jill Daniels references several of her recent experimental documentary films that mediate memory, place and subjectivities: Not Reconciled (2009); The Border Crossing (2011); My Private Life (2013); My Private Life II (2015) and Journey to the South (2017). She proposes the notion that film communicates in a sensory mode that may defy written theorisation or interpretation, with a rigor and precision that is quite separate to that of written language, but that nevertheless films, like written language, may add to knowledge. She argues that film theory is essential to enable the filmmaker to raise their work above the narrow framework of craft. She interrogates the notion that experimentation in documentary films may avoid perceived constraints of certainty, evidence and veracity. She notes that as a practice researcher within the academy she has freedom to experiment, which has brought considerable benefits to her practice.en
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationDaniels, J. (2019) 'The subjective voice and hybrid documentary filmmaking strategies: A case study', Alphaville: Journal of Film and Screen Media, 17, pp. 97-110. https://doi.org/10.33178/alpha.17.06en
dc.identifier.doihttps://doi.org/10.33178/alpha.17.06
dc.identifier.endpage110
dc.identifier.issn2009-4078
dc.identifier.issued17
dc.identifier.journalabbrevAlphaville
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage97
dc.identifier.urihttps://hdl.handle.net/10468/8221
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.urihttp://www.alphavillejournal.com/Issue17/ArticleDaniels.pdf
dc.rights© 2019, the Author(s).en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectPractice as researchen
dc.subjectMemoryen
dc.subjectPlaceen
dc.subjectAutobiographyen
dc.subjectExperimentalen
dc.subjectDocumentary filmmakingen
dc.titleThe subjective voice and hybrid documentary filmmaking strategies: A case studyen
dc.typeArticle (peer-reviewed)en
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Alphaville: Journal of Film and Screen Media. Issue 17: Researching Creative Practice