Deconstructing Islamization in Pakistan: Sabiha Sumar wages feminist cinematic jihad through a documentary lens
dc.contributor.author | Imran, Rahat | |
dc.date.accessioned | 2021-12-17T15:21:26Z | |
dc.date.available | 2021-12-17T15:21:26Z | |
dc.date.issued | 2008 | |
dc.date.updated | 2021-12-17T15:15:31Z | |
dc.description.abstract | Over half a billion Muslim women live in vastly different lands, cultures, societies, economies, and political systems. Yet, as Iranian scholar Mahnaz Afkhami points out, Muslim women’s oppressions are similar due to gender-discrimination under Islamic Sharia laws and patriarchal doctrines that are exercised in the name of religion and culture. Pakistan has been a prime example of how religious fundamentalism and politicization of religion can transform a secular society into one held hostage by Islamic extremist doctrines and gender-specific laws. It is a cause for hope and celebration then that its progressive and secular elements, particularly educated, urban women, have continued to wage a struggle against discriminatory socio-political and religious practices through various artistic, political, and activist channels-thereby posing a continuing opposition and challenge to religious fundamentalists that use women as the prime targets for the imposition of their Islamic ideologies and identity. More recently, Pakistani independent women filmmakers have also joined the ranks of this oppositional force, thereby appropriating their right to wage a feminist jihad (struggle). In initiating an anti-fundamentalist cinema category, their cinematic contributions deserve to be recognized as part of a larger feminist agenda against gender discrimination and patriarchal domination. | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Published Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.articleid | Article 8 | en |
dc.identifier.citation | Imran, R. (2008) 'Deconstructing Islamization in Pakistan: Sabiha Sumar wages feminist cinematic jihad through a documentary lens', Journal of International Women's Studies, 9(3), pp. 117-154. Available at: uri:https://vc.bridgew.edu/jiws/vol9/iss3/8 (Accessed: 17 December 2021) | en |
dc.identifier.endpage | 154 | en |
dc.identifier.issn | 1539-8706 | |
dc.identifier.issued | 3 | en |
dc.identifier.journaltitle | Journal of International Women's Studies | en |
dc.identifier.startpage | 117 | en |
dc.identifier.uri | https://hdl.handle.net/10468/12355 | |
dc.identifier.volume | 9 | en |
dc.language.iso | en | en |
dc.publisher | Journal of International Women's Studies | en |
dc.relation.uri | https://vc.bridgew.edu/jiws/vol9/iss3/8 | |
dc.rights | © 2008, Journal of International Women’s Studies. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. | en |
dc.subject | Pakistani women | en |
dc.subject | Feminist documentary film | en |
dc.subject | Islamization and fundamentalism | en |
dc.subject | Islamic Sharia laws | en |
dc.title | Deconstructing Islamization in Pakistan: Sabiha Sumar wages feminist cinematic jihad through a documentary lens | en |
dc.type | Article (peer-reviewed) | en |
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