Sonic sociabilities and stranger relations in Arnaud des Pallières’ Adieu (2004)

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dc.contributor.authorTalijan, Emilija
dc.contributor.editorHemelryk Donald, Stephanieen
dc.contributor.editorDavies Hayon, Kayaen
dc.contributor.editorSorbera, Luciaen
dc.date.accessioned2019-12-10T13:48:32Z
dc.date.available2019-12-10T13:48:32Z
dc.date.issued2019
dc.description.abstractThis article addresses the way noise has been deployed within the sonic practice of French filmmaker Arnaud des Pallières in his film Adieu (2004). According to des Pallières, the politics of his filmmaking resides in the way his films reflect on experiences of which he has no lived experience. With Adieu, des Pallières considers the experience of migration purposefully obliquely. The article examines how this indirect approach is achieved through noise that is harnessed to a political agenda, one that implicates spectators through the film’s own indirect address to listening in spectatorship. Through asynchronicity, the film tunes us to noises that continually arrive from an elsewhere, annoying our sense of place and integrating us within a world of strangers. Through a close reading of this film’s use of migratory noise, feedback and soundscaping, I show how des Pallières’ rigorous and singular approach to noise in Adieu is uniquely placed to open up questions about how we relate to sound and cinema’s address to listening in spectatorship. This consideration offers wider possibilities for understanding how cinema instigates more distant and radical forms of encounter through noise.en
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationTalijan, E. (2019) 'Sonic sociabilities and stranger relations in Arnaud des Pallières’ Adieu (2004)', Alphaville: Journal of Film and Screen Media, 18, pp. 24-37. https://doi.org/10.33178/alpha.18.03en
dc.identifier.doihttps://doi.org/10.33178/alpha.18.03
dc.identifier.endpage37
dc.identifier.issn2009-4078
dc.identifier.issued18
dc.identifier.journalabbrevAlphaville
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage24
dc.identifier.urihttps://hdl.handle.net/10468/9412
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.urihttp://www.alphavillejournal.com/Issue18/ArticleTalijan.pdf
dc.rights© 2019, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectSounden
dc.subjectListeningen
dc.subjectMigrationen
dc.subjectFrench cinemaen
dc.subjectAlgeriaen
dc.titleSonic sociabilities and stranger relations in Arnaud des Pallières’ Adieu (2004)en
dc.typeArticle (peer-reviewed)en
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Alphaville: Journal of Film and Screen Media. Issue 18: Refugee Filmmaking