On Drill Team and the musicality of videographic criticism

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dc.contributor.authorGrant, Catherineen
dc.contributor.editorGreene, Lizen
dc.date.accessioned2024-07-02T13:19:05Z
dc.date.available2024-07-02T13:19:05Z
dc.date.issued2024-07-02en
dc.description.abstractAn article comprising the videographic study Drill Team alongside a written framing of its film studies origins and comparative methodology. The video attempts a performative audiovisual adaptation of a chapter section from Danijela Kulezic-Wilson’s 2020 book Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack. Drill Team explores both Kulezic-Wilson’s specific (if uncertain) argument about the relationship between two films, Beau Travail (Claire Denis, 1999) and The Fits (Anna Rose Holmer, 2015), and her general argument in the chapter about the “composed” nature of the sound (and music) design in these and other modern or contemporary films, as well as about the capacity of these films, and film generally, to use modes of embodied experience as the substance of their language.en
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationGrant, C. (2024) 'On Drill Team and the musicality of videographic criticism', Alphaville: Journal of Film and Screen Media, 27, pp. 148–151. DOI: https://doi.org/10.33178/alpha.27.13en
dc.identifier.doihttps://doi.org/10.33178/alpha.27.13en
dc.identifier.endpage151en
dc.identifier.issued27
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage148en
dc.identifier.urihttps://hdl.handle.net/10468/16066
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.rights© 2024, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subjectVideographic criticismen
dc.subjectSound designen
dc.subjectContemporary cinemaen
dc.subjectEmbodimenten
dc.subjectComparative film studiesen
dc.titleOn Drill Team and the musicality of videographic criticismen
dc.typeArticle (peer-reviewed)en
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