The unity of Edmund Spenser's Complaints
dc.check.embargoformat | Not applicable | en |
dc.check.info | No embargo required | en |
dc.check.opt-out | Not applicable | en |
dc.check.reason | No embargo required | en |
dc.check.type | No Embargo Required | |
dc.contributor.advisor | King, Andrew | en |
dc.contributor.advisor | Rooney, Kenneth | en |
dc.contributor.author | Roy, David Karl | |
dc.contributor.funder | Irish Research Council | en |
dc.date.accessioned | 2017-05-04T11:45:59Z | |
dc.date.available | 2017-05-04T11:45:59Z | |
dc.date.issued | 2017 | |
dc.date.submitted | 2017 | |
dc.description.abstract | Edmund Spenser's Complaints (1591) is a collection of nine poems; these poems are compartmentalized into four sections, each of which begins with its own frontispiece and contains a dedication to a lady. Complaints is an extremely problematic volume which prompts urgent questions, not hitherto adequately addressed, such as: How can Complaints be defined in terms of form, genre and structure? Is Complaints simply a collection of four separate pamphlets? Why does the volume not fit into any of the career trajectories proposed for Spenser? Why is fixing a date on the poems so difficult? Why is the authorship of the preface, entitled ‘The Printer the Gentle Reader’, so hard to define? Complaints has been regarded as a haphazard collection, thrown together by the publisher to capitalize on the success of the first part of The Faerie Queene (1590). The aims of this thesis are to address the above questions, while also arguing for the thematic, bibliographic, structural, numerological, cosmological and contextual unity found in the volume, and teasing out the implications of these various unities. | en |
dc.description.sponsorship | Irish Research Council (Postgraduate Scholarship Scheme GOIPG/2014/353) | en |
dc.description.status | Not peer reviewed | en |
dc.description.version | Accepted Version | |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Roy, D. K. 2017. The unity of Edmund Spenser's Complaints. PhD Thesis, University College Cork. | en |
dc.identifier.endpage | 219 | en |
dc.identifier.uri | https://hdl.handle.net/10468/3915 | |
dc.language.iso | en | en |
dc.publisher | University College Cork | en |
dc.rights | © 2017, David Karl Roy. | en |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | en |
dc.subject | Edmund Spenser | en |
dc.subject | Renaissance England | en |
dc.subject | Complaints | en |
dc.subject | English literature | en |
dc.subject | Renaissance English poetry | en |
dc.subject | Early modern poetry | en |
dc.thesis.opt-out | false | |
dc.title | The unity of Edmund Spenser's Complaints | en |
dc.type | Doctoral thesis | en |
dc.type.qualificationlevel | Doctoral | en |
dc.type.qualificationname | PhD (Arts) | en |
ucc.workflow.supervisor | k.rooney@ucc.ie |
Files
Original bundle
1 - 1 of 1
Loading...
- Name:
- David Roy_The Unity of Edmund Spenser's Complaints.pdf
- Size:
- 1.97 MB
- Format:
- Adobe Portable Document Format
- Description:
- Full Text E-thesis
License bundle
1 - 1 of 1
Loading...
- Name:
- license.txt
- Size:
- 5.62 KB
- Format:
- Item-specific license agreed upon to submission
- Description: