Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, by Antony Todd

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dc.contributor.authorMellamphy, Deborah
dc.contributor.editorShine, Jessicaen
dc.date.accessioned2018-04-24T09:20:14Z
dc.date.available2018-04-24T09:20:14Z
dc.date.issued2014
dc.description.statusNot peer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationMellamphy, D. (2014) Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, by Antony Todd. Alphaville: Journal of Film and Screen Media, 7. https://doi.org/10.33178/alpha.7.08en
dc.identifier.doihttps://doi.org/10.33178/alpha.7.08
dc.identifier.endpage123
dc.identifier.issn2009-4078
dc.identifier.issued7
dc.identifier.journalabbrevAlphaville
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage118
dc.identifier.urihttps://hdl.handle.net/10468/5849
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.urihttp://www.alphavillejournal.com/Issue7/HTML/ReviewMellamphy.html
dc.rights© 2014, The Author(s)en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectAuthorshipen
dc.subjectContemporary film theoryen
dc.subjectAuteur studiesen
dc.subjectPostclassicalen
dc.subjectDavid Lynchen
dc.subjectMulholland Driveen
dc.titleAuthorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, by Antony Todden
dc.typeReviewen
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Alphaville: Journal of Film and Screen Media. Issue 07: Corporeal Cinema