Exhibitions as tools to think with: On impact and process
dc.contributor.author | Nicolescu, Gabriela | |
dc.contributor.editor | Kapalό, James A. | |
dc.contributor.editor | Vagramenko, Tatiana | |
dc.contributor.funder | Horizon 2020 | en |
dc.contributor.funder | European Research Council | en |
dc.date.accessioned | 2021-05-07T10:38:17Z | |
dc.date.available | 2021-05-07T10:38:17Z | |
dc.date.issued | 2020-10-10 | |
dc.description | This research is part of the project Creative Agency and Religious Minorities: Hidden Galleries in the Secret Police Archives in Central and Eastern Europe. The project has received funding from the European Research 2020 research and innovation programme No. 677355. | en |
dc.description.sponsorship | 2020-10-01 | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Published Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Nicolescu, G. (2020) ‘Exhibitions as tools to think with: On impact and process’, in Kapaló, J. A. and Vagramenko, T. (eds)., Hidden Galleries: Material Religion in the Secret Police Archives in Central and Eastern Europe, Münster: Lit Verlag, pp. 102-104. isbn: 978-3-643-91263-3 | en |
dc.identifier.endpage | 104 | en |
dc.identifier.isbn | Lit Verlag | |
dc.identifier.startpage | 102 | en |
dc.identifier.uri | https://hdl.handle.net/10468/11256 | |
dc.language.iso | en | en |
dc.publisher | Lit Verlag | en |
dc.relation.ispartof | Hidden Galleries: Material Religion in the Secret Police Archives in Central and Eastern Europe | |
dc.relation.project | info:eu-repo/grantAgreement/EC/H2020::ERC::ERC-STG/677355/EU/Creative Agency and Religious Minorities: ‘hidden galleries’ in the secret police archives in 20th Century Central and Eastern Europe/Hidden Galleries | en |
dc.relation.uri | https://www.lit-verlag.de/isbn/978-3-643-91263-3 | |
dc.subject | Religion | en |
dc.subject | Secret police | en |
dc.subject | Communism | en |
dc.subject | Eastern Europe | en |
dc.subject | Visual media | en |
dc.title | Exhibitions as tools to think with: On impact and process | en |
dc.type | Book chapter | en |