Girling troubled spaces: choreography, writing and BigEye
dc.contributor.author | Gilson, Jools | |
dc.contributor.editor | Smith, A. William | |
dc.date.accessioned | 2020-07-29T15:46:11Z | |
dc.date.available | 2020-07-29T15:46:11Z | |
dc.date.issued | 2001 | |
dc.date.updated | 2020-07-16T11:04:02Z | |
dc.description.abstract | This article brings together Helene Cixous’ theorisation of a transgressive writing practice with Deleuze and Guattari’s radical re-conception of corporeality to discuss the implications, promises and failures of a digital/sonic/written/voiced choreographic practice. This piece is framed by the practice of half/angel, a performance company directed by Jools Gilson-Ellis and Richard Povall. | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Accepted Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Gilson-Ellis, J. (2000) 'Girling Troubled Spaces: Choreography, Writing and BigEye', In: Smith, A. and William (eds). International Dance & Technology 1999, IDAT99, Lethbridge AB & Columbus OH: Full House Publishing, pp. 26-29. isbn: 1883034027 | en |
dc.identifier.endpage | 29 | en |
dc.identifier.isbn | 1883034027 | |
dc.identifier.isbn | 9781883034023 | |
dc.identifier.startpage | 26 | en |
dc.identifier.uri | https://hdl.handle.net/10468/10331 | |
dc.language.iso | en | en |
dc.publisher | Full House Publishing | en |
dc.rights | © 1999 the author | en |
dc.subject | Jools Gilson-Ellis | en |
dc.subject | Richard Povall | en |
dc.subject | half/angel | en |
dc.subject | The Secret Project | en |
dc.subject | Choreography | en |
dc.subject | Writing | en |
dc.subject | BigEye | en |
dc.title | Girling troubled spaces: choreography, writing and BigEye | en |
dc.type | Conference item | en |
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