Girling troubled spaces: choreography, writing and BigEye

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dc.contributor.authorGilson, Jools
dc.contributor.editorSmith, A. William
dc.date.accessioned2020-07-29T15:46:11Z
dc.date.available2020-07-29T15:46:11Z
dc.date.issued2001
dc.date.updated2020-07-16T11:04:02Z
dc.description.abstractThis article brings together Helene Cixous’ theorisation of a transgressive writing practice with Deleuze and Guattari’s radical re-conception of corporeality to discuss the implications, promises and failures of a digital/sonic/written/voiced choreographic practice. This piece is framed by the practice of half/angel, a performance company directed by Jools Gilson-Ellis and Richard Povall.en
dc.description.statusPeer revieweden
dc.description.versionAccepted Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationGilson-Ellis, J. (2000) 'Girling Troubled Spaces: Choreography, Writing and BigEye', In: Smith, A. and William (eds). International Dance & Technology 1999, IDAT99, Lethbridge AB & Columbus OH: Full House Publishing, pp. 26-29. isbn: 1883034027en
dc.identifier.endpage29en
dc.identifier.isbn1883034027
dc.identifier.isbn9781883034023
dc.identifier.startpage26en
dc.identifier.urihttps://hdl.handle.net/10468/10331
dc.language.isoenen
dc.publisherFull House Publishingen
dc.rights© 1999 the authoren
dc.subjectJools Gilson-Ellisen
dc.subjectRichard Povallen
dc.subjecthalf/angelen
dc.subjectThe Secret Projecten
dc.subjectChoreographyen
dc.subjectWritingen
dc.subjectBigEyeen
dc.titleGirling troubled spaces: choreography, writing and BigEyeen
dc.typeConference itemen
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