Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement, by Saige Walton

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dc.contributor.authorDevereaux, Michelle
dc.contributor.editorAbbatescianni, Davideen
dc.date.accessioned2019-01-31T12:10:00Z
dc.date.available2019-01-31T12:52:19Z
dc.date.issued2019
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationDevereaux, M. (2019) Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement, by Saige Walton. Alphaville: Journal of Film and Screen Media, 16, pp.97-102. https://doi.org/10.33178/alpha.16.07en
dc.identifier.doihttps://doi.org/10.33178/alpha.16.07
dc.identifier.endpage102
dc.identifier.issn2009-4078
dc.identifier.issued16
dc.identifier.journalabbrevAlphaville
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage97
dc.identifier.urihttps://hdl.handle.net/10468/7401
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.urihttp://www.alphavillejournal.com/Issue16/ReviewDevereaux.pdf
dc.rights© 2019, The Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Licenseen
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectMerleau-Pontyen
dc.subjectBaroqueen
dc.subjectPhenomenologyen
dc.subjectAffecten
dc.subjectHapticsen
dc.titleCinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement, by Saige Waltonen
dc.typeReviewen
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