Afterword

dc.contributor.authorStock, Jonathan P. J.
dc.date.accessioned2022-11-04T15:54:40Z
dc.date.available2022-11-04T15:54:40Z
dc.date.issued2022-10
dc.date.updated2022-11-03T14:05:13Z
dc.description.abstractThe Afterword discusses the new research on Siamsa Tire from the perspectives of: assembling a new body of theatrical history; the formation of new performance institutions in the postcolonial era; the sustaining of such initiatives under more recent moves toward intangible cultural heritage; and the rise of a sense or metaphor of spirituality via performance.en
dc.description.statusPeer revieweden
dc.description.versionAccepted Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationStock, J. (2022) 'Afterword', in Motherway, S. and O'Connell, J. (eds)., Staged Folklore, The National Folk Theatre of Ireland 1968-1998, Cork: Cork University Press, pp. 231-234, isbn: 9781782055310en
dc.identifier.endpage234en
dc.identifier.isbn9781782055310
dc.identifier.startpage231en
dc.identifier.urihttps://hdl.handle.net/10468/13817
dc.language.isoenen
dc.publisherCork University Pressen
dc.relation.ispartofStaged Folklore, The National Folk Theatre of Ireland 1968-1998
dc.relation.urihttps://www.corkuniversitypress.com/The-National-Folk-Theatre-of-Ireland-p/9781782055310.htm
dc.rights© 2022 Cork University Pressen
dc.subjectTheatreen
dc.subjectTraditionen
dc.subjectSiamsa Tireen
dc.subjectCultural heritageen
dc.titleAfterworden
dc.typeBook chapteren
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