The architecture of influence: Paul Rudolph's Art and Architecture Building at Yale

dc.check.date10000-01-01
dc.check.embargoformatHard bound copy in Library onlyen
dc.check.infoIndefiniteen
dc.check.opt-outYesen
dc.check.reasonThis thesis is due for publication or the author is actively seeking to publish this materialen
dc.contributor.advisorBoyd, Gary A.en
dc.contributor.advisorMcCartney, Kevinen
dc.contributor.authorMulrooney, Sarah Bernadette
dc.date.accessioned2015-10-29T09:46:01Z
dc.date.issued2014
dc.date.submitted2014
dc.description.abstractFocussing on Paul Rudolph’s Art & Architecture Building at Yale, this thesis demonstrates how the building synthesises the architect’s attitude to architectural education, urbanism and materiality. It tracks the evolution of the building from its origins – which bear a relationship to Rudolph’s pedagogical ideas – to later moments when its occupants and others reacted to it in a series of ways that could never have been foreseen. The A&A became the epicentre of the university’s counter culture movement before it was ravaged by a fire of undetermined origins. Arguably, it represents the last of its kind in American architecture, a turning point at the threshold of postmodernism. Using an archive that was only made available to researchers in 2009, this is the first study to draw extensively on the research files of the late architectural writer and educator, C. Ray Smith. Smith’s 1981 manuscript about the A&A entitled “The Biography of a Building,” was never published. The associated research files and transcripts of discussions with some thirty interviewees, including Rudolph, provide a previously unavailable wealth of information. Following Smith’s methodology, meetings were recorded with those involved in the A&A including, where possible, some of Smith’s original interviewees. When placed within other significant contexts – the physicality of the building itself as well as the literature which surrounds it – these previously untold accounts provide new perspectives and details, which deepen the understanding of the building and its place within architectural discourse. Issues revealed include the importance of the influence of Louis Kahn’s Yale Art Gallery and Yale’s Collegiate Gothic Campus on the building’s design. Following a tumultuous first fifty years, the A&A remains an integral part of the architectural education of Yale students and, furthermore, constitutes an important didactic tool for all students of architecture.en
dc.description.statusNot peer revieweden
dc.description.versionAccepted Version
dc.format.mimetypeapplication/pdfen
dc.identifier.citationMulrooney, S. B. 2014. The architecture of influence: Paul Rudolph's Art and Architecture Building at Yale. PhD Thesis, University College Cork.en
dc.identifier.urihttps://hdl.handle.net/10468/2012
dc.language.isoenen
dc.publisherUniversity College Corken
dc.rights© 2014, Sarah B. Mulrooney.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/en
dc.subjectA&Aen
dc.subjectCorbusieren
dc.subjectGropiusen
dc.subjectKahnen
dc.subjectRudolphen
dc.subjectSmithen
dc.subjectNew Havenen
dc.subjectWrighten
dc.subjectYaleen
dc.subjectArchitectureen
dc.subjectUrbanismen
dc.subjectArten
dc.subjectBiographyen
dc.subjectConcreteen
dc.subjectFireen
dc.subjectInfluenceen
dc.subjectModernismen
dc.subjectPedagogyen
dc.subjectPostmodernismen
dc.thesis.opt-outtrue
dc.titleThe architecture of influence: Paul Rudolph's Art and Architecture Building at Yaleen
dc.typeDoctoral thesisen
dc.type.qualificationlevelDoctoralen
dc.type.qualificationnamePhD (Architecture)en
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