Diversity, difference and nation: indigenous peoples on screen in Mexico

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dc.contributor.authorde la Garza, Armida
dc.date.accessioned2016-08-04T08:44:41Z
dc.date.available2016-08-04T08:44:41Z
dc.date.issued2010-11
dc.date.updated2014-05-18T19:20:37Z
dc.description.abstractThis paper draws on constructivist theories of identity that regard the self as, paradoxically, coming into existence through interaction with the other, to investigate the discursive formation of indigenous people in the forging of Mexican national identity. The aim of the essay is to show how difference has been managed and deployed in the establishment of national Mexican identities from independence until the present. This is done with reference to visual culture and film and illustrated with examples from the ‘Golden Age’ as well as ‘the New Mexican Cinema’.en
dc.description.statusPeer revieweden
dc.description.versionAccepted Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationde La Garza, A. (2010) 'Diversity, difference and nation: indigenous peoples on screen in Mexico', National Identities, 12(4), pp. 413-424. doi: 10.1080/14608944.2010.520982en
dc.identifier.doi10.1080/14608944.2010.520982
dc.identifier.endpage424en
dc.identifier.issn1460-8944
dc.identifier.issued4en
dc.identifier.journaltitleNational Identitiesen
dc.identifier.startpage413en
dc.identifier.urihttps://hdl.handle.net/10468/2960
dc.identifier.volume12en
dc.language.isoenen
dc.publisherRoutledge, Taylor & Francis Groupen
dc.rights© 2010, Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in National Identities on 19 November 2010, available online: http://www.tandfonline.com/10.1080/14608944.2010.520982en
dc.subjectMexicoen
dc.subjectNational identityen
dc.subjectIndigenous peoplesen
dc.subjectMexican cinemaen
dc.titleDiversity, difference and nation: indigenous peoples on screen in Mexicoen
dc.typeArticle (peer-reviewed)en
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