Introduction: Visual Ethics after Communism
dc.contributor.author | Crowley, David | |
dc.contributor.author | Nicolescu, Gabriela | |
dc.contributor.author | Kapalό, James A. | |
dc.contributor.funder | European Research Council | en |
dc.date.accessioned | 2021-11-16T16:35:38Z | |
dc.date.available | 2021-11-16T16:35:38Z | |
dc.date.issued | 2021-11 | |
dc.date.updated | 2021-11-16T16:03:25Z | |
dc.description | This research is part of the project Creative Agency and Religious Minorities: Hidden Galleries in the Secret Police Archives in Central and Eastern Europe. The project has received funding from the European Research 2020 research and innovation programme No. 677355. | en |
dc.description.abstract | This special issue problematizes the often-uncritical use of images in publications and displays about communism. It poses a number of questions for anthropologists, historians, museologists and others: when does an image or a museum display present itself as problematic and for whom? Under what circumstances is it ethically justifiable to exhibit or publish such images or, conversely, to put images aside, leaving them undisplayed? When do arguments based on “the public good” outweigh the right to personal privacy, individual integrity and cultural patrimony of source communities? | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Published Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Crowley, D., Kapalo, J. A. and Nicolescu, G. (2021) 'Introduction: Visual Ethics after Communism', Martor: The Museum of the Romanian Peasant Anthropology Review, 26, pp. 7-22. | en |
dc.identifier.endpage | 22 | en |
dc.identifier.issn | ISSN: 2734-8350 | |
dc.identifier.issued | 26 | en |
dc.identifier.journaltitle | Martor: The Museum of the Romanian Peasant Anthropology Review | en |
dc.identifier.startpage | 7 | en |
dc.identifier.uri | https://hdl.handle.net/10468/12222 | |
dc.identifier.volume | 2021 | en |
dc.language.iso | en | en |
dc.publisher | National Museum of the Romanian Peasant, Bucharest | en |
dc.relation.project | info:eu-repo/grantAgreement/EC/H2020::ERC::ERC-STG/677355/EU/Creative Agency and Religious Minorities: ‘hidden galleries’ in the secret police archives in 20th Century Central and Eastern Europe/Hidden Galleries | en |
dc.relation.uri | http://martor.muzeultaranuluiroman.ro/archive/martor-26-2021/ | |
dc.rights | © 2021 Martor Journal. MARTOR applies to all published materials the Creative Commons Licence “Attribution-NonCommercial-NoDerivatives CC BY-NC-ND,” allowing others to download the published works and share them with others as long as they credit the author, but they can’t change them in any way, or use them commercially. | en |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en | en |
dc.subject | Ethical practice | en |
dc.subject | Visual legacies | en |
dc.subject | Material legacies | en |
dc.subject | Communism | en |
dc.subject | Post-communism | en |
dc.title | Introduction: Visual Ethics after Communism | en |
dc.type | Article (peer-reviewed) | en |