Mouth ghosts: the taste of the os-text

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dc.contributor.authorGilson, Jools
dc.date.accessioned2020-07-28T15:47:29Z
dc.date.available2020-07-28T15:47:29Z
dc.date.issued2003
dc.date.updated2020-07-16T10:47:25Z
dc.description.abstractThis chapter proposes a radical connection between femininity and orality. In particular it proposes the new term 'os-text' to describe the relationship between writing and speaking one's own text in performance. The 'os-text' incorporates the uttering mouths (the 'os'), the kissing (osculation) of words into being, and the oscillation between writing and speaking. Examining the work of half/angel as example, the chapter develops the idea of the 'os-text' in relation to the feminist theory of Helene Cixous and Luce Irigaray.en
dc.description.statusPeer revieweden
dc.description.versionAccepted Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationGilson-Ellis, J. (2003) 'Mouth Ghosts: The Taste of the Os-Text', in de Gay, J. and Goodman, L. (eds). Languages of Theatre Shaped by Women, Bristol: Intellect Books, pp. 153-175. isbn: 1871516781en
dc.identifier.endpage175en
dc.identifier.isbn1871516781
dc.identifier.isbn978-1871516784
dc.identifier.startpage153en
dc.identifier.urihttps://hdl.handle.net/10468/10320
dc.language.isoenen
dc.publisherIntellect Booksen
dc.relation.ispartofLanguages of Theatre Shaped by Women.
dc.rights© Jools Gilson-Ellisen
dc.subjectJools Gilson-Ellisen
dc.subjectJools Gilsonen
dc.subjectHelene Cixousen
dc.subjectA Mouthful of Birdsen
dc.subjectCaryl Churchillen
dc.subjectLuce Irigarayen
dc.subjectRuth Salvaggioen
dc.subjectFemininityen
dc.subjectMouthpieceen
dc.subjectOralityen
dc.subjectPerformanceen
dc.subjectos-texten
dc.titleMouth ghosts: the taste of the os-texten
dc.typeBook chapteren
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